Project and content management for Contemporary Authors volumes
WORK TITLE: White Chrysanthemum
WORK NOTES:
PSEUDONYM(S):
BIRTHDATE:
WEBSITE: https://marybracht.com/
CITY: London
STATE:
COUNTRY: United Kingdom
NATIONALITY: American
RESEARCHER NOTES:
PERSONAL
Female.
EDUCATION:Birkbeck College, London, M.A.
ADDRESS
CAREER
Author.
MIILITARY:Served in U.S. Air Force.
WRITINGS
SIDELIGHTS
Novelist Mary Lynn Brecht’s debut is White Chrysanthemum, based on stories she learned when she visited her mother’s native Korean village in 2002. Brecht, who has a degree in anthropology and who served in the U.S. military, discovered the still largely unknown tale of the Korean “comfort women,” who were kidnapped during World War II and forced into sexual slavery to occupying Japanese forces. Although the tale of the “comfort women” and their fate was well-known in Korea, the women themselves did not receive recognition as victims of war crimes until about half a century after the war. Many of them, in fact, had to live out their lives shunned by their communities for having been raped. “Masterfully crafted,” wrote a Publishers Weekly reviewer, “Bracht’s mesmerizing debut novel is rich with historical detail and depth of emotion.”
The novel, the author noted in a Library Journal interview with Christine Barth, is not merely a recounting of an atrocity that occurred during what was perhaps the most atrocity-laden war in world history. It also speaks to the ongoing problem of human trafficking that continues to plague the world well into the twenty-first century. “My mother’s friends all grew up in South Korea and married American soldiers before settling in Texas. Many of their stories revealed hardships with family, illness, poverty, and how they were let down by the patriarchal system at that time,” Bracht said in her Library Journal interview. “When I first learned of the so-called ‘comfort women’ and their plight to be recognized as survivors of military war rape, I understood that [they wanted] … to declare their life stories in the words they chose.” “‘When I heard about the ‘comfort women’, I was at a point when I was already researching Korean history,'” Bracht told Katherine Cowdrey in the Bookseller. “‘Probably over twelve years passed before I decided I would put this somewhere. I wrote a short story, which became my master’s thesis, which became my novel.'” “I think it’s a hole in our history,” Brecht said in her interview with Cowdrey; “I would like to see it filled a bit more.”
White Chrysanthemum begins in 1943, at a time when Japanese forces had already occupied the Korean peninsula for some time. “The novel introduces 16-year-old Hana who, while protecting her little sister Emi, is forcibly taken away by a Japanese soldier to become a ‘comfort woman’ for the Japanese army,” explained Katherine Cowdrey in the Bookseller. Despite her situation, Hana refuses to be paralyzed by it and constantly tries to escape from her captors. For her part, Emi has to learn to cope with misplaced guilt over her sister’s loss throughout her long life. “Coerced into a loveless marriage with a Korean policeman,” stated a Kirkus Reviews contributor, “Emi is now an elderly widow with two adult children and horrific memories of what happened.” Despite everything that has happened in her life—including the fate of her family in the Korean War less than a decade after Hana was taken away—Emi remains fiercely committed to seeing that her sister receives justice. “Reinforcing the book’s feminist thread,” Cowdrey continued, “the women are from a fiercely proud lineage of haenyeo (female divers who harvest marine life from the ocean floor) on Japanese-occupied Jeju Island, Korea, where, unusually for the broader patriarchal society, they are the breadwinners. Despite the atrocities each is forced to suffer in the other’s absence during the war … their sense of self and sisterhood endures.” Brecht’s “captivating and heartbreaking debut novel,” declared Bridget Thoreson in a Booklist review, “honors the many thousands of women who were enslaved through WWII.”
BIOCRIT
PERIODICALS
Booklist, November 1, 2017, Bridget Thoreson, review of White Chrysanthemum, p. 33.
Bookseller, November 10, 2017, Katherine Cowdrey, “Mary Lynn Bracht: A Literary Historical Debut, the Redemptive Tale of Two Sisters Torn Apart by the Second World War, Breaks the long-held Silence on the Plight of Korea’s ‘Comfort Women.'” p. 16.
Kirkus Reviews, January 1, 2018, review of White Chrysanthemum.
Library Journal, June 15, 2017, review of White Chrysanthemum, p. 3a; February 15, 2018, Christine Barth, “Q&A: Mary Lynn Bracht,” p. 53.
Publishers Weekly, November 13, 2017, review of White Chrysanthemum, p. 35.
ONLINE
James Grant, http://www.jamesgrant.com/ (March 21, 2018), author profile.
Mary Lynn Bracht Website, https://marybracht.com (March 21, 2018), author profile.
Mary Lynn Bracht
An American author of Korean descent living in London, Mary grew up in a large ex-pat community of women who came of age in postwar South Korea. In 2002, she visited her mother’s childhood village, and it was during this trip she first learned of the “comfort women.” Her debut novel, White Chrysanthemum, will be published in January 2018 by Chatto & Windus Books and Putnam Books. She is represented by Rowan Lawton at Furniss Lawton Agency @ James Grant Group
MARY BRACHT
DETAILS
Mary Lynn Bracht is an American author of Korean descent who now lives in London.
She has an MA in Creative Writing from Birkbeck, University of London. She grew up in a large ex-pat community of women who came of age in post-war South Korea. In 2002 Bracht visited her mother’s childhood village, and it was during this trip she first learned of the ‘Comfort Women’. White Chrysanthemum is her first novel, being published in January 2018 in the UK, as well as 16 other territories around the world.
Q&A / Mary Lynn Bracht
Library Journal.
143.3 (Feb. 15, 2018): p53.
COPYRIGHT 2018 Library Journals, LLC. A wholly owned subsidiary of Media Source, Inc. No
redistribution permitted.
http://www.libraryjournal.com/
Full Text:
How did your South Korean roots influence your research?
My mother's friends all grew up in South Korea and married American soldiers before settling in Texas.
Many of their stories revealed hardships with family, illness, poverty, and how they were let down by the
patriarchal system at that time.
When I first learned of the so-called "comfort women" and their plight to be recognized as survivors of
military war rape, I understood that what they were fighting for was the right to declare their life stories in
the words they chose. Researching [them] and the history of South Korea was both a pleasure as well as a
difficult endeavor because the people were heroic and memorable, but the stories and events were heartbreaking.
I learned that there is so much sadness in Korean history, but there is also so much more to admire
and respect.
What did you want Hana and Emi each to bring to the book?
Hana's voice reveals what it might have been like for a teenage girl to lose everything she held dear--her
family, friends, home, and even her identity--when she is taken to a military brothel as a sex slave in a
foreign land.
Emi's voice is older, wiser, but just as broken as she looks back on everything she endured through two
wars, the loss of her sister, and the way of life her childhood had promised. I wanted to show that even
though Emi is saved from the misery of sexual slavery, she still suffers. The story is about two sisters who
are altered forever by a war they had no power to prevent, fight, or end.
How did you handle such heavy themes while writing?
Occupying Hana's world was difficult to say the least. In order to cope, I would allow myself to escape
Hana's brothel scenes by writing Emi's story. I always looked forward to [the latter] and feeling her
emotions as she remembered the love she had for Hana and her family.
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The haenyeo women divers play a large role in the novel. Can you share a little about this tradition and its
future?
The haenyeo have worked as free divers for more than 400 years, harvesting sea creatures to sell at the
markets. These women learn to dive at a young age and continue well into their 80s and 90s without
breathing apparatuses. They were the first working women in Korea, which gave them more autonomy [as]
the breadwinners for their households. Nearly 50 years ago, there were more than 20,000 registered haenyeo
in South Korea. Today, there are less than 5,000 as [their] daughters choose higher education and whitecollar
jobs over the dangers and low pay in diving. Some believe that in 20 years, there will be none left.
How do you think Korea's comfort women can shed light on the human trafficking still happening?
This was one of the major reasons I decided to write this book. Like the comfort women, there are women
and girls all over the world who survive being raped or forced into sexual slavery and still have to endure
shame, poverty, and even blame for what they suffered. They [receive] no justice from their governments,
are not accepted by their families or communities upon reintegration, and are often trafficked again because
they have nowhere else to go.
What is being done in the memory of these women, and how do you hope your novel will change the
conversation?
The Wednesday Demonstrations that began in 1992 continue to take place every Wednesday in front of the
Japanese Embassy in Seoul, supported by the Korean Council for the Women Drafted for Sexual Slavery in
Japan. They protest the Japanese government's current stance on the historical record... and demand justice
for this war crime.
I hope my novel can give readers a glimpse into the terror of sexual slavery and war rape, the long-term
societal effects for the families, and the often bleak futures for those who survive. More than 200,000
women died and never had their stories told. The few who remain are doing their best to ensure they aren't
misrepresented in history.--Christine Barth, Scott Cty. Lib. Syst., IA
Mary Lynn Bracht's debut novel, White Chrysanthemum (starred review, LJ 11/15/17) details the powerful
and haunting journeys of two Korean sisters during World War II--one is forced into sexual slavery for the
Japanese military, while the other is alone in an occupied country.
Debut Fiction 2/15/18
Blum, Yoav. The Coincidence Makers.
St. Martin's 45
Castillo, Elaine. America Is Not
the Heart. Viking 51
Delury, Jane. The Balcony.
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Little, Brown 52
Goenawan, Clarissa. Rainbirds.
Soho 52
Greathead, Kate. Laura & Emma.
S.&S 57
Hirshberg, David. My Mother's Son.
Fig Tree 57
Koelb, Tadzio. Trenton Makes.
Doubleday 54
McConnell, Thomas. The Wooden King.
Hub City 58
Mclntyre, Angus. The Warrior Within.
Tor.com 46
McLaughlin, James A. Bearskin.
Ecco: HarperCollins 56
Myers, Tina LeCount. The Song of All.
Nightshade 47
Sonneborn, Julia. By the Book.
Gallery: S. & S 50
Vale, Maria. The Last Wolf.
Sourcebooks Casablanca 49
Windo, Nick Clark. The Feed.
Morrow 46
Wolfson, Brianna. Rosie Colored Glasses.
Mira: Harlequin 57
Source Citation (MLA 8th
Edition)
"Q&A / Mary Lynn Bracht." Library Journal, 15 Feb. 2018, p. 53. General OneFile,
http://link.galegroup.com/apps/doc/A526367888/ITOF?u=schlager&sid=ITOF&xid=133d3f20.
Accessed 3 Mar. 2018.
Gale Document Number: GALE|A526367888
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Mary Lynn Bracht: a literary historical
debut, the redemptive tale of two sisters
torn apart by the Second World War,
breaks the long-held silence on the plight
of Korea's "comfort women"
Katherine Cowdrey
The Bookseller.
.5777 (Nov. 10, 2017): p16+.
COPYRIGHT 2017 Bookseller Media Limited
http://www.thebookseller.com
Full Text:
"Women's stories resonate with me. Powerful women. I feel like my mother and her friends are survivors of
their own histories," Mary Lynn Bracht says, as she explains the inspiration behind her moving debut,
White Chrysanthemum (Chatto, January), which has seen her literary career come into bloom. Thrusting a
forgotten corner of history into the light, and already eliciting comparisons with Memoirs of a Geisha and
The Kite Runner, Bracht's novel was pre-empted in the US and the UK for six-figure sums within hours of
final edits at last year's London Book Fair.
The novel introduces 16-year-old Hana who, while protecting her little sister Emi, is forcibly taken away by
a Japanese soldier to become a "comfort woman" for the Japanese army. Reinforcing the book's feminist
thread, the women are from a fiercely proud lineage of haenyeo (female divers who harvest marine life from
the ocean floor) on Japanese-occupied Jeju Island, Korea, where, unusually for the broader patriarchal
society, they are the breadwinners. Despite the atrocities each is forced to suffer in the other's absence
during the war--as the narrative moves between Hana's struggle to survive in the 1940s, and Emi's struggle
with survivor's guilt as an elderly woman--their sense of self and sisterhood endures.
"They had to keep going, they had no choice. I can't imagine ... I can't, and I can, all at the same time," says
Bracht. "For me, I had to think, who are the women who survived? Because out of 200,000 [registered
"comfort women"], by the 1990s, only 250 were still alive. That's a massive amount of dead women. What
does it take to endure that kind of slavery and want to live? Who was that person? I knew it was the
haenyeo."
But while Hana comes to represent the historical pain of all "comfort women" (or "grandmothers", as they
were also known) coerced into military brothels, it is Emi, who avoids that fate, to whom Bracht feels she is
closest. "She survives the war and continues to live in Korea, and is an example of the women who just got
through it, sort of like my mother and her family," she says. "When nothing happens to you except life, that
can be just as hard."
Before resolving to become a writer, Bracht wanted to be a soldier like her father, who, when traveling in
Korea in the 1970s as part of the US military, met Bracht's mother. They would later move the family to
suburban Texas, where Bracht grew up in an expat community of Korean women, many of whom left
behind difficult pasts but, like her mother, are survivors and storytellers. "I grew up always listening to
these stories from my mother's homeland, so I was always interested in what was out there, what was
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beyond Texas. Anytime I thought, 'What do I want to write about? What inspires me?', it was always my
mother and things about her life and her history," she says.
It wasn't until Bracht had swapped drills and combat boots for an anthropology degree, however, that she
discovered the subject of her first novel, in time opening the door for her to pursue her passion. Initially
discouraged from the writer's life, Bracht was in training to become a fighter pilot when a chance module
took her in a different direction. "I'm from a very small town, nobody became a writer!" she laughs. "I
wanted to write stories, I always had stories. But I decided not to, so I went to college to become a fighter
pilot. In my freshman year I was on the airforce scholarship and somewhere in there I took an anthropology
class. And I thought, 'I don't want to kill people, I want to study people.'
"When I heard about the 'comfort women', I was at a point when I was already researching Korean history.
Probably over 12 years passed before I decided I would put this somewhere. I wrote a short story, which
became my masters thesis, which became my novel. So it was a very long journey. But it was this terrible
thing in history that just shocked me. I read a lot of the stories and they were very difficult reading--very
tearful, a lot of pauses. It's like a re-living. I came to it from a historical point of view because it's a story
that's not really told."
BREAKING THE SILENCE
"When I asked my mother, 'Did you know about comfort women?', her response was shocking. She said,
'Oh yeah, everyone knows about them'. And that was it," recalls Bracht. "I think part of it [being accepted]
is that terrible things happened to women in Korea throughout history anyway. It struck me that this feeling
is still keeping the 'grandmothers' searching for justice and resolution to what happened to them today. It
was this feeling of, 'Yeah it happened, it's not that big a deal'. To me, imagine what if you were that woman?
You're about to die, and all your life people have been calling you a whore. Argh, that just killed me."
Although tens of thousands of women were tricked or kidnapped into sexual servitude for the Japanese
military during the war--testimonies suggest that some were forced to have sex with up to 50 men a day--
the issue was buried for half a century. It wasn't until the 1990s that the mood of the country changed and,
in 1991, the first "comfort woman" came forward. By this time very few were left, begging the question,
how many died in those years of silence? And how was it left unacknowledged for so long, given the scale
of the tragedy? "The mistreatment when they came forward was just terrible. People said they were moneygrabbing
whores," says Bracht. "At the time, chastity was life or death. And to have this happen to you,
there is no talking about it. If you can escape talking about it, pretend it never happened, you can possibly
have a life."
STILL SEEKING JUSTICE
Not only were the women forbidden to speak of the abuse they suffered: in December 2015, as part of a
[yen] 1bn deal between the Japanese and Korean governments intended to settle the matter, a monument
erected in their honour was ordered to be removed from outside the Japanese embassy in Seoul. "When
things happen to women like this, the government is trying to sweep it under the rug. It doesn't want to
remember. It doesn't want the statue and the memorial to remember the victimhood and survival of these
women. It would rather they just silently go away," says Bracht. "Anything that has to do with sex is, 'hushhush,
let's not talk about it, we don't want to talk about it, we can't put it out there right away'. No, what's
going to happen to the women, and the children? You can't just leave them out."
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When asked if she'd consider the book a feminist novel, she pauses. "I think it's a human novel. It's about
women, it's about what happens to women in war, and these particular women in sexual slavery. But I hope
everyone reads it, actually. When I was doing research I'd go to bookshops [to read about the war] and not
only were the patrons all male, the books are all male too-- it's all about fighting and that kind of sacrifice.
This is the other side. I think it's a hole in our history; I would like to see it filled a bit more."
METADATA
Imprint Chatto & Windus
Publication 18.01.18
Formats EB (12.99 [pounds sterling])/HB (12.99 [pounds sterling]) ISBN 9781473547346/ 9781784741440
RIGHTS 18 territories to date, including to Penguin Putnam in the US
Editor becky hardie
AGENT Rowan Lawton, Furniss lawton
EXTRACT
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Hana knows that protecting her sister means keeping her away from Japanese soldiers. Her mother has
drilled the lesson into her: never let them see you! And most of all, do not let yourself be caught alone with
one! Her mother's words of warning aie filled with an ominous fear, and at sixteen Hana feels lucky this has
never happened. But that changes on a hot summer day.
It is late in the afternoon, long after the other divers have gone to the market, when Hana first sees Corporal
Morimoto. Her mother wanted to fill an extra net for a friend who was ill and couldn't dive that day. Her
mother is always the first to offer help. Hana comes up for air and looks to the shore. Her sister is squatting
on the sand, shading her eyes to look toward Hana and their mother. At nine years of age, her sister is now
old enough to stay on the shore alone but still too young to swim in the deeper waters with Hana and her
mother. She is small for her age and not yet a strong swimmer.
Hana has just found a large conch and is ready to shout at her sister to express her joy, when she notices a
man heading toward the beach. Treading water so that she can lift herself higher to see him more clearly,
Hana realizes the man is a Japanese soldier. Her stomach knots into a sudden cramp. Why is he here? They
never come this far from the villages. She scans the beach within the cove to see if there are more, but he's
the only one. He is heading straight for her sister.
Source Citation (MLA 8th
Edition)
Cowdrey, Katherine. "Mary Lynn Bracht: a literary historical debut, the redemptive tale of two sisters torn
apart by the Second World War, breaks the long-held silence on the plight of Korea's 'comfort
women'." The Bookseller, 10 Nov. 2017, p. 16+. General OneFile,
http://link.galegroup.com/apps/doc/A514724770/ITOF?u=schlager&sid=ITOF&xid=328222f1.
Accessed 3 Mar. 2018.
Gale Document Number: GALE|A514724770
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White Chrysanthemum
Publishers Weekly.
264.46 (Nov. 13, 2017): p35.
COPYRIGHT 2017 PWxyz, LLC
http://www.publishersweekly.com/
Full Text:
White Chrysanthemum
Mary Lynn Bracht. Putnam, $26 (320p)
ISBN 978-0-7352-1443-9
Bracht's debut novel explores the horrors of war and the fortitude of familial bonds. In 1943, Korea, 16-
year-old Hana is a haenyeo, a female diver who helps support her family with the catches she finds in the
sea. But her life is forever altered when, in an attempt to hide her little sister, Emi, from a Japanese soldier,
she is captured and forced to work at a brothel as a prostitute for Japanese soldiers in Manchuria. The story
jumps forward to 2011, when Emi is in Seoul to visit her daughter, to find her sister, and to participate in the
weekly Wednesday demonstrations that are held in front of the Japanese embassy to demand justice for the
"comfort women" who were forced to become prostitutes during World War II. Emi has carried her guilt
about Hana's abduction for decades, but now believes she may finally have a chance to find out what
happened to her sister. Masterfully crafted, Bracht's mesmerizing debut novel is rich with historical detail
and depth of emotion. This is a memorable story about the courage of Korean women during the Second
World War. Agent: Rowan Lawton, Furniss Lawton Agency. (Jan.)
Source Citation (MLA 8th
Edition)
"White Chrysanthemum." Publishers Weekly, 13 Nov. 2017, p. 35. General OneFile,
http://link.galegroup.com/apps/doc/A515325970/ITOF?u=schlager&sid=ITOF&xid=4c2e344c.
Accessed 3 Mar. 2018.
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White Chrysanthemum
Bridget Thoreson
Booklist.
114.5 (Nov. 1, 2017): p33.
COPYRIGHT 2017 American Library Association
http://www.ala.org/ala/aboutala/offices/publishing/booklist_publications/booklist/booklist.cfm
Full Text:
White Chrysanthemum.
By Mary Lynn Bracht.
Jan. 2018.320p. Putnam, $26 (9780735214439).
Her sister didn't see the Japanese soldier on the beach, but Hana did. The 16-yearold was diving into the sea
off their Korean island, earning her livelihood by harvesting the seabed, as her mother had taught her. The
next few moments would change the course of both hers and her sister's lives, as Hana saved her sister from
catching the attention of the officer, only to be captured herself. Imprisoned in a brothel in Manchuria to
serve as a "comfort woman" for soldiers to rape, and given special attention from the man who captured her
on the beach, Hana hangs on to her fighting spirit in even the darkest circumstances, never giving up the
hope of escape. More than half a century later, her sister faces her own struggle with the burden of Hana's
sacrifice and the secrets she kept from her family about what she suffered after being forced into a loveless
marriage. This captivating and heartbreaking debut novel honors the many thousands of women who were
enslaved through WWII. --Bridget Thoreson
Source Citation (MLA 8th
Edition)
Thoreson, Bridget. "White Chrysanthemum." Booklist, 1 Nov. 2017, p. 33. General OneFile,
http://link.galegroup.com/apps/doc/A515383010/ITOF?u=schlager&sid=ITOF&xid=e6b983d3.
Accessed 3 Mar. 2018.
Gale Document Number: GALE|A515383010
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Bracht, Mary Lynn: WHITE
CHRYSANTHEMUM
Kirkus Reviews.
(Jan. 1, 2018):
COPYRIGHT 2018 Kirkus Media LLC
http://www.kirkusreviews.com/
Full Text:
Bracht, Mary Lynn WHITE CHRYSANTHEMUM Putnam (Adult Fiction) $26.00 1, 30 ISBN: 978-0-
7352-1443-9
A debut novel about the Korean "comfort women" prostituted by Japanese soldiers in World War II--and the
strong bond between two sisters separated by the conflict.
Sixteen-year-old Hana lives with her parents and younger sister, Emi, on Jeju Island off the southern coast
of Korea. It's 1943, and though the country has been under Japanese occupation for decades, the family has
lived a relatively peaceful existence: Hana and her mother are haenyeos (divers), and her father is a
fisherman. Then Hana is kidnapped by a Japanese soldier and brought to a military brothel, where she and
other young Korean women are forced into sexual slavery. She tries to escape several times, without much
luck. Hana's sorrowful story is intercut with Emi's narrative, set in 2011 on Jeju Island and in Seoul.
Coerced into a loveless marriage with a Korean policeman, Emi is now an elderly widow with two adult
children and horrific memories of what happened to her parents and her village in the run-up to the Korean
War. Emi is still searching for her lost sister and blaming herself for Hana's disappearance--Hana had
shielded Emi from the Japanese soldier, preventing her from being captured. Both narratives end on
hopeful, albeit somewhat unbelievable, notes. The book's author, an American of Korean descent, writes
well--the passages describing the sisters' early lives are quite lyrical--and she's adept at weaving in historical
material about Korea and its fraught relationship with Japan. (The Japanese only apologized for the comfort
women in the 1990s, and controversy persists.) But the novel is so relentlessly and explicitly brutal it runs
the risk of numbing, or perhaps exhausting, the reader.
The white chrysanthemum is a Korean symbol of mourning--appropriate for this worthy novel.
Source Citation (MLA 8th
Edition)
"Bracht, Mary Lynn: WHITE CHRYSANTHEMUM." Kirkus Reviews, 1 Jan. 2018. General OneFile,
http://link.galegroup.com/apps/doc/A520735631/ITOF?u=schlager&sid=ITOF&xid=b13b4d08.
Accessed 3 Mar. 2018.
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White Chrysanthemum
Mary Lynn Bracht
Library Journal.
142.11 (June 15, 2017): p3a.
COPYRIGHT 2017 Library Journals, LLC. A wholly owned subsidiary of Media Source, Inc. No
redistribution permitted.
http://www.libraryjournal.com/
Full Text:
A sweeping historical debut that brings to life the heartbreaking history of Korea through the deeply
moving and redemptive story of two sisters separated by World War II.
[ILLUSTRATION OMITTED]
978-0-7352-1443-9 | $26.00/$35.00C | 50,000
Putnam | HC | January
* 978-0-7352-1445-3 | * AD: 978-0-525-49768-4
* CD: 978-0-525-49767-7
* LP: 978-0-525-52424-3
HISTORICAL FICTION
Social: @MaryBracht; MaryBracht.com RA: For readers of Martha Hall Kelly, Kristin Hannah, and Khaled
Hosseini RI:Author lives in London, UK
Source Citation (MLA 8th
Edition)
Bracht, Mary Lynn. "White Chrysanthemum." Library Journal, 15 June 2017, p. 3a. General OneFile,
http://link.galegroup.com/apps/doc/A495668151/ITOF?u=schlager&sid=ITOF&xid=c4d1f3b2.
Accessed 3 Mar. 2018.
Gale Document Number: GALE|A495668151