Project and content management for Contemporary Authors volumes
WORK TITLE: The Seasonaires
WORK NOTES:
PSEUDONYM(S):
BIRTHDATE:
WEBSITE: https://www.janna-king.com/
CITY: Los Angeles
STATE: CA
COUNTRY: United States
NATIONALITY: American
RESEARCHER NOTES:
| LC control no.: | no2012110341 |
|---|---|
| LCCN Permalink: | https://lccn.loc.gov/no2012110341 |
| HEADING: | King Kalichman, Janna |
| 000 | 01037nz a2200241n 450 |
| 001 | 9070208 |
| 005 | 20120817074536.0 |
| 008 | 120816n| azannaabn |a aaa c |
| 010 | __ |a no2012110341 |
| 035 | __ |a (OCoLC)oca09278379 |
| 040 | __ |a IlMchBWI |b eng |c IlMchBWI |e rda |
| 100 | 1_ |a King Kalichman, Janna |
| 372 | __ |a Motion picture industry |
| 373 | __ |a Am I Write |s 1990 |
| 374 | __ |a Screenwriter |
| 375 | __ |a female |
| 377 | __ |a eng |
| 400 | 1_ |a Kalichman, Janna King |
| 400 | 1_ |a King, Janna |
| 670 | __ |a Bratz. Passion 4 fashion [VR], 2006: |b container (written by Janna King Kalichman) |
| 670 | __ |a IMDb, Aug. 14, 2012: |b (Janna King; writer) |
| 670 | __ |a LinkedIn, Aug. 14, 2012: |b (Janna King; founder at Am I Write (June 1990-); creative director at Light Years Ahead (Jan. 1994-June 2004); earned an MA in Film/Television from Loyola Marymount University; earned a BA in English from University of California, Los Angeles) |
| 678 | __ |a Janna King Kalichman is a screenwriter for film and animated children’s televsion programs. |

PERSONAL
Married; children: two.
EDUCATION:University of California, Los Angeles, B.A.; Loyola Marymount University, M.A.
ADDRESS
CAREER
Screenwriter, freelance blogger and journalist, and author. Am I Write, founder, 1990—; Light Years Ahead, creative director, 1994-2004. Worked previously as a movie studio receptionist and production assistant.
Director of stage plays, including The Bluff and Boners & Other Stupid Mistakes. Director of film, Mourning Glory; also producer of films, Willow and The Break Up.
WRITINGS
Also author of plays, including, The Bluff, produced by L.A. Renegade Theatre; Boners & Other Stupid Mistakes, produced by L.A. Renegade Theatre; Double Date (one-act play), produced by L.A. Renegade Theatre, 2014. Author of the screenplay Mourning Glory. Broad Life, founder.
SIDELIGHTS
Janna King has become most well-known through her work as a television screenwriter. She has predominantly been involved in creating children’s media, having worked on programs such as Bratz: Passion 4 Fashion and many others. She has also participated in the production of several films, including Willow (in collaboration with her daughter), The Break Up, and Mourning Glory. Additionally, King participates within the theater world. She has written and served as a theater director for The Bluff, Boners & Other Stupid Mistakes, and Double Date. She also works with The Broad Life, a website she helped to found.
The Seasonaires serves as King’s literary debut. On the Author Link website, King spoke to interviewer Doris Booth about the meaning behind The Seasonaires. “In the novel, I purposely use terms like ‘dream,’ ‘tales,’ ‘stories’ because it’s an allegory about the desire for ‘a perfect picture’ and the slippery slope of social media,” she explained. “As a storyteller, I contemplated the possibility that details can be caught in social media posts.” She also said: “For the novel, social media became a way to foreshadow and drop clues to the mystery.”
The Seasonaires stars a cast of young adults who’ve just landed a lucrative summer job opportunity. Grant, Mia, J.P., Presley, Jade, and Cole are all slated to work as “seasonaires,” or social media influencers tasked with promoting brand name products. For them, the brand in question is Lyndon Wyld, a sought-after company within the fashion industry. However, they will get far more benefits than just attaching their online presence to such a popular brand. They will also receive the opportunity to reside in a luxurious beach house provided by the company. The group of friends plans to make the absolute most of their summer with Lyndon Wyld by living it up as much as they can. However, they soon find themselves caught up in much more than they ever expected. The glamor of the group’s summer exploits begins to fade when Mia meets a model by the name of Ruby. Through their budding friendship, Mia learns just how risky the fashion industry can be. This realization soon erupts into tragedy and mystery for the group. A Publishers Weekly reviewer called The Seasonaires a “fiery debut” and pointed out that there’s a chance that who the murderer is may become obvious to some, but “readers will be having too much fun to mind.” Booklist contributor Erin Holt remarked: “Teens who can handle some graphic sex and drug use will enjoy this juicy look at influencer culture.”
BIOCRIT
PERIODICALS
Booklist, April 15, 2018, Erin Holt, review of The Seasonaires, p. 21.
Publishers Weekly, March 19, 2018, review of The Seasonaires, p. 44.
ONLINE
Author Link, https://authorlink.com/ (May 1, 2018), Doris Booth, “Screenwriter Janna King Debuts Novel, The Seasonaires,” author interview.
Janna King website, https://www.janna-king.com (July 29, 2018), author profile.
Janna King
Makes up stuff. Writes it down. Sometimes people act it out.
DSCF0273After.jpg
Armed with a BA in English from UCLA and an MA in Film/TV from LMU, Janna King began her career with a job as a movie studio receptionist. She went on to become an assistant for TV executives and producers, reading much material, which in turn, prompted much writing. Her spec scripts garnered work on various one-hour dramas.
When her two children were born, she turned her focus to kids’ animation, but kept one foot in the “grown-up” live action world. Her produced credits include TV movies for Lifetime and The Hallmark Channel, series for Sony, Spelling, and more, and in children’s entertainment, Disney Junior, Warner Bros. Animation, and Children’s Television Workshop.
Janna segued into directing with her original short film, “Mourning Glory,” based on her feature script of the same name. The short was an official selection at several film festivals. She is following up her second short film, “The Break Up” by producing the animated short, “Willow,” written and co-produced by her daughter, Izzy Kalichman.
In theater, her first one-act play, “Double Date” was performed at The L.A. Renegade Theatre’s One Act Festival 2014. At Renegade, she also directed her original plays, “Boners & Other Stupid Mistakes” and “The Bluff.”
She is a freelance journalist and blogger, co-founding the website, The Broad Life.
Her debut novel, The Seasonaires, was released in May, 2018 from Pegasus Books.
Janna lives in Los Angeles with her husband and two rescue pooches.
Copyright © 2018 Janna King. All rights reserved.
The Seasonaires
Erin Holt
Booklist.
114.16 (Apr. 15, 2018): p21. From Book Review Index Plus. COPYRIGHT 2018 American Library Association http://www.ala.org/aboutala/offices/publishing/booklist/
Full Text:
* The Seasonaires.
By Janna King.
May 2018. 336p. Pegasus, $25.95 (9781681777399).
Six twenty-somethings come together to work a summer job in Nantucket for the popular clothing brand Lyndon Wyld. Mia, Presley, Cole, Jade, J.P., and Grant are each a combination of brains, looks, and personality, all handpicked by Lyndon and her sister, Grace, and paid to live in a grand beachside estate and represent the Lyndon Wyld clothing company by snapping selfies and posting on the socials. Months full of partying, drinking, and flaunting all you've got is what the crew thinks is in store for them, complete with a handsome wage at the end of the season. But when a competing clothing line starts to kick up dust, the summer takes a turn. King roars onto the scene with this outstanding sexy and splashy debut full of secrets, greed, guilt, and lust. The characters come alive on the pages, with each one taking on his or her own air of mystery and intrigue. Readers won't know whom or what to believe as the intense pace, coupled with interwoven story lines and alibis, gets more muddled until the jaw-dropping climax. Perfect for fans of Chloe Esposito's MAD, but for the younger set.--Erin Holt
YA/M: Teens who can handle some graphic sex and drug use will enjoy this juicy look at influencer culture. EH.
1 of 3 7/16/18, 9:53 PM
http://go.galegroup.com/ps/marklist.do?actionCmd=GET_MA...
Source Citation (MLA 8th Edition)
Holt, Erin. "The Seasonaires." Booklist, 15 Apr. 2018, p. 21. Book Review Index Plus,
http://link.galegroup.com/apps/doc/A537268058/GPS?u=schlager&sid=GPS& xid=c840be37. Accessed 16 July 2018.
Gale Document Number: GALE|A537268058
2 of 3 7/16/18, 9:53 PM
http://go.galegroup.com/ps/marklist.do?actionCmd=GET_MA...
The Seasonaires
Publishers Weekly.
265.12 (Mar. 19, 2018): p44. From Book Review Index Plus. COPYRIGHT 2018 PWxyz, LLC http://www.publishersweekly.com/
Full Text:
The Seasonaires
Janna King. Pegasus, $25.95 (336p) ISBN 978-1-68177-739-9
An idyllic summer on Nantucket is shattered by murder in King's fiery debut. Every year Lyndon Wyld sends a small group of brand ambassadors, her "seasonaires," to Nantucket to represent her namesake clothing brand via social media and personal appearances. When aspiring fashion designer Mia is chosen, she's thrilled, and the $20,000 she'll earn is a huge perk. Sharing a house with Mia are Jade, a rap mogul's daughter; blonde bombshell Presley; shy Cole; fun-loving Grant; and the gregarious J. P. When Mia befriends the troubled Ruby, a model for rival company Wear National, the veneer of their golden summer begins to crumble, revealing a toxic melange of drugs, vicious corporate rivalry, and illicit hookups. When one of their group is killed, Mia realizes that no one is truly what they seem. The seasonaires' scandalous shenanigans have a tabloid appeal, and King slips in some commentary on consumer culture and those who live their lives on social media. The introspective Mia provides a good foil for the rowdier seasonaires, and while the identity of the killer may not come as a surprise, readers will be having too much fun to mind. (May)
Source Citation (MLA 8th Edition)
"The Seasonaires." Publishers Weekly, 19 Mar. 2018, p. 44. Book Review Index Plus,
http://link.galegroup.com/apps/doc/A531977301/GPS?u=schlager&sid=GPS& xid=1fb9ea9d. Accessed 16 July 2018.
Gale Document Number: GALE|A531977301
3 of 3 7/16/18, 9:53 PM
Screenwriter Janna King Debuts Novel, The Seasonaires
May 1, 2018
Written by Doris Booth
Explore More
Audio Player
00:00
00:00
Use Up/Down Arrow keys to increase or decrease volume.
For a twentysomething, there is no summer job better than being a seasonaire—there are no responsibilities, college is barely a thought, and you’re surrounded by beautiful people. When life is this intoxicating and carefree, what could possibly go wrong?
In acclaimed screenwriter Janna King’s thrilling debut novel, THE SEASONAIRES (Pegasus Books; on-sale May 2, 2018), she reveals there’s more than meets the eye in the “perfect” life of a seasonaire as one Nantucket summer spirals dangerously out of control for six young, attractive twenty-somethings. Already being developed as a TV series at Blumhouse TV (“Get Out”), THE SEASONAIRES is a timely, provocative, and suspenseful look at the privileges and pitfalls of social media celebrity. It’s a guilty-pleasure read for summer!
In this AUTHORLINK AUDIO interview, Janna explains why, as a successful screenwriter, she turned to novel-writing. She also talks about the differences between writing for television/film and writing a novel and details her experiences of finding and working with book agent Adam Chromy and publisher Pegasus Books. “The people at Pegasus were so kind to me as a green novelist,” she said. Learning that they were about to publish her first novel was an extremely emotional moment in her life, despite all her screenwriting credits.
In THE SEASONAIRES, an idyllic summer begins like a dream for Mia, a resourceful young woman from South Boston; Presley, the gorgeous Southern beauty queen; Cole, a handsome introvert; Jade, the sultry daughter of a model and music mogul; J.P., an energetic young designer; and Grant, the playful party-boy. These six are working as seasonaires—influential brand ambassadors—for the clothing line Lyndon Wyld. But like all things that look too good to be true, the darkness lurking underneath slowly rises to the surface.
Lyndon Wyld, the chic tigress who owns the eponymous business, rules their daily life by curating their every move, which the seasonaires are obliged to post on social media for their growing throngs of followers. As the summer progresses, corporate greed, professional rivalries, and personal conflicts mix with sex, drugs, and the naïveté of youth, exploding in a murder that sullies their catalog-perfect lives.
The television series “UnReal” meets The Assistants and Pretty Little Liars in this irresistible coming-of-age story and twisty murder-mystery that proves some things really are too good to be true.
Janna King, screenwriter and debut novelist JANNA KING Biography
Armed with a BA in English from UCLA and an MA in Film/TV from LMU, Janna began her career with a job as a movie studio receptionist. She went on to become an assistant for TV executives and producers, reading much material, which in turn, prompted much writing. Her spec scripts garnered work on one-hour dramas including “Silk Stalkings,” “The Commish,” “The Heights,” and “Pensacola: Wings of Gold.”
When her two children were born, Janna turned her focus to kids television and film. She has written for such animated series as “Wacky Races,” “Dragon Tales,” “My Friends: Tigger and Pooh,” “Strawberry Shortcake,” and “Pound Puppies.” Her produced animated feature credits include “Candy Land,” “Bratz Passion For Fashion: Diamondz,” and “Strawberry Shortcake: Sky’s The Limit.” She has developed projects for Disney Junior, National Geographic Kids, and WB Kids. In addition, her writing found an interactive home with Websites for Cartoon Network, the “QPIZ” Web series, and Curious George apps from Houghton Mifflin Harcourt. She is also author of the children’s book, Even Monsters Have Manners.
As her kids grew, Janna’s writing returned to the “grown-up” live action world. She wrote “Ghost Coast,” an adventure screenplay for Josh Duhamel’s Dakota Kid Productions. She has developed original and book-based properties in both the half-hour and one-hour TV space for various production companies. After writing the TV movie, “Sex, Lies, and Hit Men” for Jennifer Love Hewitt’s Fedora Films at Lifetime, she went on to write three Hallmark movies, two of which premiered during the channel’s 2017 Christmas block.
Janna’s first novel, The Seasonaires, will be released May 2, 2018 by Pegasus Books. It is currently being developed as a television series at Blumhouse TV (“Get Out”).
Janna segued into directing with her original short film, “Mourning Glory,” based on her feature script of the same name. The short was an official selection at 2014/15 film festivals, including the Carmel Film Festival, the Boston Film Festival, the Maryland Film Festival, and it won the Best Cinematography Award at the Women’s Independent Film Festival 20l4. She is following up her second short film, “The Break Up” by producing an animated short called “Willow.”
In theater, her one-act play, “Double Date” was performed at The L.A. Renegade Theatre’s One Act Festival 2014. At Renegade, she directed her original play, “Boners & Other Stupid Mistakes” in 2015 and in 2016, her one-act “The Bluff.”
Janna is a current WGAW member.
Behind the Book: THE SEASONAIRES by Janna King
Nothing is perfect. Almost everything I write centers around that concept – a place, a character, a job, a relationship. There is something comforting about knowing that nothing is perfect, especially when you feel strikingly imperfect yourself. And that’s me. THE SEASONAIRES is the tale of what is sold to my young fictional characters as the perfect summer. I had met my book agent on a TV project and when he came to me, asking if the new world of brand ambassadors who sell “the dream life” during vacation seasons sounded like a fun writing arena, I said “Yes!” Being the dark, morbid tale-spinner that I am, even when I write comedy, I immediately thought that a dream summer in a gorgeous, idyllic setting was ripe for a murder mystery. My casual one-line pitch when I’m talking to people: Six twenty-something brand ambassadors set off for the best summer of their lives in Nantucket and shit goes down. As a writer, I love when shit goes down. People seem to spark to that!
This novel is set in Nantucket, and in the past, I enjoyed several amazing East Coast seaside summers, but it’s really about anywhere that seems like perfection. I grew up in a beautiful beach suburb of Los Angeles. Back then, my hometown was the picture of wholesome white picket fence Americana. But as I got older, I learned that there was darkness underneath the façade, that people who lived there were as fucked up as people anywhere else. We are messy. I am messy. But that’s how we find each other and truly connect. The façade is slick and impossible to truly grasp. The messiness is where we stick to each other, for good or bad – most often times both.
In the novel, I purposely use terms like “dream,” “tales,” “stories” because it’s an allegory about the desire for “a perfect picture” and the slippery slope of social media. I have a love/hate relationship with social media. I don’t get to see my friends and family as much as I would like, so Instagram and Facebook give me the opportunity to catch up. I love travel IG accounts and some fashion and beauty. But I’m baffled by the concept of Insta-famous and the curation of people and lives. More importantly, the pervasive nastiness of social media is disturbing and deeply upsetting. “Haters” who feel the need to take others down is the soul-crushing nadir of humanity. Social media can be a smart and fortunate forum to come together when human rights, environmental needs and free speech are threatened. But to use it a personal affront, whether you’re famous or not, is, in my opinion, wrong.
As a storyteller, I contemplated the possibility that details can be caught in social media posts. What happens if a perpetrator of a crime happens to be in the background? If in the corner, a guy is making out with a girl and he’s married or engaged to someone else? Can someone snap and post on purpose? Can someone plan to get caught or steer suspicion in a different direction? What happens on Snapchat or Instagram Stories when images disappear? What if they’re reposted by others? How far does it go and how indelible are the images? What kind of damage can they do? For the novel, social media became a way to foreshadow and drop clues to the mystery. There is a sense that we are always being watched or, on the other hand, desperate to be watched. That lends itself to fictional suspense and conflict.
I wrote the novel before the #MeToo movement but that was a theme because I had experienced sexual harassment in my 20s working in the entertainment industry. Almost every woman, and some men I know, have also suffered the same misfortunes to varying degrees in all different industries. It is a universal problem that ended up being very timely for the novel. My characters confront it and represent my fervent hope that both women and men are changing the future landscape.
I have two kids who are around the ages of the novel’s seasonaires, and I’m very close to them. We talk about life and the challenges of growing up, finding their passions and aiming for goals. They are both very level-headed and pragmatic, far more than I ever was. In creating my characters, I had the opportunity to examine my own challenges growing up: I’m a product of divorce, I battled eating disorders (spending 8 weeks in an in-patient program in my 20s), had unhealthy relationships, and dealt with financial hardships. I often felt like I didn’t belong. I still don’t, even when I seem like I do. These characters are flawed and messy, no matter how “beautiful” or “cool” or “chic” they appear on the surface.
THE SEASONAIRES is a coming-of-age story wrapped in a murder mystery. And really, we never stop coming-of-age.
What People Are Saying About THE SEASONAIRES
The beach read of summer.”—Bustle
“An idyllic summer on Nantucket is shattered by murder in King’s fiery debut.”—Publishers Weekly
“The dream summer idyll turns into an Instastory-fueled nightmare in this thrilling and sexy debut. This is a world where advertising jumps off the billboards and into the boardwalk bars, where it lives and breathes and might buy you a tequila shot or a frozen daiquiri―if you’re lucky―before seducing you for a handful of likes. But underneath the glitter lies a no-filter reality. Equal parts terrifying and titillating, The Seasonaires is no mere beach read. You’ll be rubbing sand out of your eyes long after you reach the valedictory hashtag.”
—Charles Blackstone, author of VINTAGE ATTRACTION
“Timely and dazzling. With an uncanny knack for understanding and exploding Millennial stereotypes stereotypes, Janna King shows us the consequences of selfish choices―but it sure seems fun before reality steps into this party-filled summer. With an eclectic cast of characters all up for adventure, The Seasonaires will keep readers guessing until the very last page of this genre-blending novel. A mashup sure to delight thriller fans from any generation.”
—Erica Wright, author of THE GRANITE MOTH and
RED CHAMELEON
On the “Seasonaire” Phenomenon:
“Splashing in the waves, sipping champagne on yachts, having sunset dinner parties right on the beach:
A Seasonaire’s life is like a catalog shoot come to life.”
—The New York Times Book Review
“What if you could get paid to jet around the world all summer, play polo, and throw parties
on the beach? What mischief did she get up to? Just you wait and see.”
—Glamour
THE SEASONAIRES by Janna King
Pegasus Books
On-sale May 2, 2018
Hardcover | $25.95 | 288 pages
ISBN 978-1681777399
Tags: crime, Janna King, Seasonaires, suspense, thrillers, womens fiction
Categorised in: Audio, Featured, Interviews
This post was written by Doris Booth
Leave a Reply
Your email address will not be published. Required fields are marked *