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WORK TITLE: Sharing the Dream
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WEBSITE: https://www.keithmallett.com/
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COUNTRY: United States
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PERSONAL
Born October 7, 1948, in Roaring Springs, Pennsylvania; son of Boyd Mallett (engineer and electrician) and Dorothy Williams; brother of Jason, Ronald, and Eve; married Dianne; son: Christopher.
EDUCATION:Attended Hunter College.
ADDRESS
CAREER
WRITINGS
Illustrator’s work was commissioned to celebrate the fiftieth anniversary of Jackie Robinson being the first Black baseball player in the Major Leagues. Illustrator’s work has been featured in movies, television shows, and on book covers.
SIDELIGHTS
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Keith Mallett is an artist who received his formal training in New York City, at the Art Students League and Hunter College. After that, he set off for California, first in Los Angeles and then San Diego. His paintings have been exhibited in numerous galleries, and his artwork has also been shown in television shows, movies, and on book covers. His most famous work might be the official limited edition print he was commissioned to design to celebrate the fiftieth anniversary of Jackie Robinson breaking the color line in baseball. In the mid-2010s, Mallett turned to children’s picture books, and he has illustrated numerous books since.
Mallett’s debut picture book was How Jelly Roll Morton Invented Jazz, written by Jonah Winter. Jelly Roll Morton was a pianist and bandleader, and he is credited with being the first arranger of jazz music. He himself claimed he invented jazz, which explains the book’s title (most jazz historians would state that Morton was a vitally important figure in early jazz but probably cannot be considered its inventor). The book highlights Morton’s achievements starting in New Orleans. Mallett’s acrylic illustrations feature different visual metaphors to highlight the rhythm and flow of jazz.
“A beautiful tribute to one of the parents of jazz,” wrote Robin Smith in Horn Book. Smith praised Mallett’s illustrations for how they help readers “imagine the beats, blues, and marvelous improvisation that were such a big part of the birth of jazz. Smith called the book “a fitting introduction for a new generation of jazz lovers.” A contributor in Kirkus Reviews wrote how the book celebrates Morton’s achievements, and they described Mallett’s work as using “red-golds and blue-blacks to evoke sunset and twilit tableaux filigreed with musical notation.”
Many of the books Mallett has illustrated—such as Take a Picture of Me, James Van Der Zee! and Sonny’s Bridge: Jazz Legend Sonny Rollins Finds His Groove—are biographies of famous Black artists, musical and otherwise. In Sing a Song: How “Lift Every Voice and Sing” Inspired Generations, the subject is a single song written in 1900 that is typically described as the Black National Anthem. Written by Kelly Starling Lyons, the book traces the song’s origin, as a tribute to Abraham Lincoln, to how it has been passed on from generation to generation of Black families. Lyons also describes the hope and strength it has given to countless people who often were suffering terrible racial oppression.
A writer in Kirkus Reviews described the book as a “beautiful celebration of a song that continues to give life to African Americans.” They particularly enjoyed Mallett’s artwork for how it “charmingly illumines the faces” of the singers, “revealing their passion and often joy.” Monique Harris, in Horn Book, was even more enthusiastic. She described Mallett’s illustrations as “striking” and “rich,” and praised them for how they help readers “derive a sense of the collective historical and cultural significance of the anthem.” Harris also enjoyed the “emotion-filled text.”
Runaway: The Daring Escape of Ona Judge is a different kind of biography. Rather than highlighting someone famous, the subject is an enslaved woman who escaped from someone famous: Martha Washington. In recent years, it has been more common for students to learn that George Washington was an enslaver, but they may not realize that one of the women he enslaved was able to escape. The book, written by Ray Anthony Shepard, details Ona Judge’s childhood and adolescence along with the decision she has to make over whether she should try to escape. Staying with the Washingtons was safer, but there was no freedom for an enslaved person, which is why Judge made the decision to strike out on her own. Shepard discusses other reasons why Judge ran away, and Mallett’s illustrations depict what she was like.
Writing in Booklist, Karen Cruze appreciated how Shepard helps young readers understand why Judge ran away even if her life was “relatively privileged.” She described Mallett’s illustrations as “finely detailed.” A reviewer in Publishers Weekly called the book an “evocative portrait that keenly interrogates the structures upon which American is built.” They appreciated how Mallett’s illustrations bring a sense of both “immediacy and historicity.”
When Langston Dances is a picture book written by Kaija Langley that depicts the joy a young Black boy named Langston experiences when he starts taking ballet. He is inspired when he sees a Black male dancer in a performance by the Alvin Ailey Dance Company, and he wants to dance like him. Even when someone makes fun of Langston by saying, “Boys don’t dance like that,” he perseveres. Mallett’s illustrations highlight both the hard work that ballet requires and the joy it can bring.
Michelle H. Martin, in Horn Book, especially appreciated Mallet’s illustrations for how they “counter stereotypes and invite children from every background to enjoy dance.” A writer in Publishers Weekly agreed, calling the book “richly affirmative” and praising Mallett’s artwork as “lively” and “realistic” illustrations that help “bring the story to life.”
Sharing the Dream depicts the famous March on Washington (where Martin Luther King Jr. gave his “I Have a Dream” speech) through the eyes of a young girl. Agnes is heading from Birmingham, Alabama, to Washington, D.C. on a bus with her father and a host of other marchers. When she gets to the march, she witnesses famous Black people like John Lewis and Josephine Baker speak, and she hears Mahalia Jackson sing the spiritual “I’ve Been Buked and I’ve Been Scorned” before King gives his renowned address. Author Shelia P. Moses helps capture the excitement that young and old experienced on that historic day.
“A stirring tale and proof positive that young people can make history,” wrote a contributor in Kirkus Reviews. They appreciated how Mallett’s pictures “glow with warmth” and evoke the pride felt by people that day. Carolyn Phelan, in Booklist, wrote, “This inviting picture book offers broader context for Martin Luther King Jr. Day and a child-friendly way to open Black History Month.” Phelan also wrote that Mallett’s artwork brings both marchers and speakers “to life on the page.”
In an interview with the Canadian Art Prints & Winn Devon Art Group, Mallett talked about his motivation in creating: “It is my desire, through my artwork, to depict the positive aspects of the African American experience. If I can show but one child the strength and beauty of her past or the bright hope of his future, then I feel I have accomplished my goal.”
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BIOCRIT
PERIODICALS
Booklist, May 1, 2019, Shelley M. Diaz, review of Sonny’s Bridge: Jazz Legend Sonny Rollins Finds His Groove, p. 79; December 1, 2020, Karen Cruze, review of Runaway: The Daring Escape of Ona Judge, p. 38; September 1, 2022, Kathleen McBroom, review of Curve & Flow: The Elegant Vision of L.A. Architect Paul R. Williams, p. 60; November, 2024, Carolyn Phelan, review of Sharing the Dream, pp. 80+.
Children’s Bookwatch, September, 2017, review of Take a Picture of Me, James Van Der Zee!; October, 2023, review of Traveling Shoes: The Story of Willye White, US Olympian and Long Jump Champion.
Horn Book, May-June, 2015, Robin Smith, review of How Jelly Roll Morton Invented Jazz, p. 134; September-October, 2019, Monique Harris, review of Sing a Song: How “Lift Every Voice and Sing” Inspired Generations, pp. 62+; January-February, 2022, Michelle H. Martin, review of When Langston Dances, pp. 90+; September-October, 2022, Jonathan Hunt, review of Curve & Flow, p. 109.
Kirkus Magazine, March 15, 2015, review of How Jelly Roll Morton Invented Jazz; May 1, 2017, review of Take a Picture of Me, James Van Der Zee!; July 1, 2019, review of Sing a Song; June 1, 2022, review of Brown Is Warm, Black Is Bright; December 1, 2022, review of Ice Cream Man: How Augustus Jackson Made a Sweet Treat Better; December 1, 2023, review of Traveling Shoes; November 1, 2024, review of Sharing the Dream.
Publishers Weekly, May 6, 2019, review of Sonny’s Bridge, p. 61; December 7, 2020, review of Runaway, p. 132; September 6, 2021, review of When Langston Dances, pp. 92+; December 19, 2022, review of Ice Cream Man, p. 88.
ONLINE
African American Literature Book Club website, https://aalbc.com/ (April 10, 2025), author biography.
Canadian Art Prints & Winn Devon Art Group, https://www.capandwinndevon.com/ (April 10, 2025), author biography.
Keith Mallett website, https://www.keithmallett.com/ (April 10, 2025).
ABOUT KEITH MALLETT
Keith Mallett is an American painter, etcher, and ceramic artist whose subject matter ranges from figurative to abstract. His work has been exhibited worldwide and is featured in corporate and private collections. He has enjoyed considerable success with numerous sold-out limited-edition prints, and was commissioned to craft the official limited-edition print commemorating the 50th anniversary of Jackie Robinson's breakthrough into major league baseball. In 2017 as guest artist, he created the Google doodle celebrating the birthday of Martin Luther King Jr. Keith has been nominated for the NAACP Image Award. His clients include: Simon & Shuster, Random House, Farrar Straus Giroux, Harper Collins, Lee & Low, Charlesbridge, and Bradford Exchange, among others.
Biography of Keith Mallett
Keith Duncan Mallett was born in Pennsylvania on October 7, 1948. Hed received his formal art training at the Art Students League, and Hunter College in New York City. He has worked as a freelance artist and for fifteen years was the in-house artist for Frontline Art Publishers. Keith’s work is currently published by Canadian Art Prints, one of the largest fine art publishers in the world.
Keith was commissioned to design the official limited edition print commemorating the 50th anniversary of Jackie Robinson’s historic breakthrough into major league baseball. His art was chosen to grace the cover of Chicken Soup for The African American Soul, the first Chicken Soup collection to deal exclusively with the African American experience. His artwork can be found in many private and corporate collections throughout the world.
Keith’s brother, Ronald L. Mallett was one of the first African-American Ph.D.s in theoretical physics. How Jelly Roll Morton Invented Jazz was his first children’s book. He lives in San Diego with his wife Dianne and his German Shepherd Pi. .
Keith Mallett is a recognized and celebrated artist from Pennsylvania. His artwork has been featured in galleries and expos such as Ornette Coleman's Artist House Gallery, Dyanson Galleries, the Tokyo International Art Show and the International Spring Fair. Keith Mallett's artwork has also been featured in many television shows such as Stephan King's "The Stand", "Melrose Place", "Designing Women", "Roseanne" and many others.
Keith Mallett
Home > Products > Mallett, Keith
Keith Mallett was born in Pennsylvania, USA and received his formal art training at the Art Students League and Hunter College in New York City. For Keith, painting is a spiritual journey. It is a journey that started in childhood and continues to this day. Keith has worked as a painter, etching artist and ceramist. His subject matter ranges from still lifes to abstracts.
Keith was commissioned to design the official limited edition print commemorating the 50th anniversary of Jackie Robinson’s historic breakthrough into major league baseball. His art was chosen to grace the cover of Chicken Soup for The African American Soul, the first Chicken Soup collection to deal exclusively with the African American experience. Both Franklin Mint and Lenox Collections have created collectibles of Keith’s most popular works. His artwork can be found in many private and corporate collections throughout the world.
When asked what he wants viewers to take from his work, Keith states, “It is my desire, through my artwork, to depict the positive aspects of the African American experience. If I can show but one child the strength and beauty of her past or the bright hope of his future, then I feel I have accomplished my goal.”
“I have always been intrigued by the art of etching, but I felt intimidated by the mechanical process, and the use of the chemicals that it involved. Once I overcame my initial trepidations I found etching to be the ideal way to graphically express my ideas. I love working on the cold metal plate, using grounds and acids to fashion a warm image. It is a real thrill to lift the paper from the inked plate and see the completed impression.
Creating art has always been a joyful experience in my life, and I feel blessed to be able to share that joy with others.”
Keith's art work is sells very well in galleries throughout the world.
Keith Mallett
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From Wikipedia, the free encyclopedia
Keith Mallett
Born October 7, 1948 (age 76)
Roaring Spring, Pennsylvania, U.S.
Known for Painting, Etching, Ceramics
Spouse Dianne Mallett
Website http://www.keithmallett.com/
Keith Duncan Mallett (born October 7, 1948) is an American artist who has worked as a painter, etcher and ceramic artist. His subject matter ranges from figurative to still life and abstracts. Mallett's work has been exhibited worldwide and is featured in corporate and private collections. He has also enjoyed considerable success with numerous sold-out limited-edition prints, and was given the commission to craft the official limited-edition print commemorating the 50th anniversary of Jackie Robinson's breakthrough into major league baseball.[1]
Biography
Early life
Mallett was born in Roaring Spring, Pennsylvania.[2] His father Boyd Mallett was a veteran of World War II and was an engineer and electrician who died of a heart attack at the age of 33. Mallett was six at the time of his father's death. His mother, Dorothy Williams raised Keith, his two brothers Jason and Ronald Mallett, and his sister Eve, alone. At twelve Mallett began painting as a hobby.
Career
Keith studied painting at the Art Students League and Hunter College in New York City.[2] Both stints at college led his professors to encourage him to work professionally and he gained positions working for several of his professors. While in New York, Mallett began working for the music industry painting record covers for Virgin Records and creating T-shirts for several well-known music groups.
In 1980 he moved to Los Angeles to continue pursuing his art career. In Los Angeles he began working for Jam Power Records and began to exhibit his work in numerous galleries. Soon after moving to Los Angeles he moved to San Diego to work with Front Line Graphics.[2] He soon began to concentrate on painting fine art and African American art. With the worldwide success of "Generations", Mallett started his own company Keith Mallett Studio Inc.
A partial list of Keith’s clients include: Random House, Lenox China, Franklin Mint, New York Graphic Society, Springs Industries, Icon Shoes and Canadian Art Prints.
Movies, television and books
A variety of movies and television shows have featured Mallett's work, including Woody Allen's Mighty Aphrodite, Soul Food, Ben Affleck's Gone Baby Gone, and Disney Channel's The Famous Jett Jackson. His art has also been featured in books such as Charlotte Watson Sherman's Sister Fire, Jonah Winter's How Jelly Roll Morton Invented Jazz, and Ray Anthony Shepard's Runaway: The Daring Escape of Ona Judge, and has been featured on the covers of Chicken Soup for the African American Soul[3] and Chicken Soup for the African American Woman's Soul.[4]
Personal life
Mallett currently lives in San Diego with his wife Dianne. They have one son, Christopher, a classical guitarist studying at Yale University.
How Jelly Roll Morton
Invented Jazz
by Jonah Winter;
illus. by Keith Mallett
Primary Porter/Roaring Brook 32 pp.
6/15 978-1-19643-963-4 $17.99
Much like jazz itself, Winter has created a book filled with ebbs and flows, rhythm and rhyme, darkness and light, shadow and sunshine. Opening with a dreamy spread set in a dimly lit New Orleans with the city on the right-hand page and a small house on the left, the hushed second-person narration begins, "Here's what could've happened if you were born a way down south in New Orleans, in the Land of Dreams a long, long time ago." Facts about Morton's life are sprinkled into the gentle prose: a stint in jail--as a baby!--when his godmother was arrested (he would not stop crying until the incarcerated men "commenced to singing"); a disapproving great-grandmother; and later the audacious claim, by Jelly Roll himself, that he invented jazz. Textured acrylic-on-canvas illustrations are punctuated by musical notes that create rivers and roads of music, allowing readers to imagine the beats, blues, and marvelous improvisation that were such a big part of the birth of jazz. Performers in silhouette--cornet-playing Buddy Bolden and Jelly Roll at different ages--add to the dreamy feel. An informative author's note provides some (age-appropriate) background information and is written in the same loose conversational style as the book. This is a beautiful tribute to one of the parents of jazz (sorry, but Morton can't claim sole ownership!)--and a fitting introduction for a new generation of jazz lovers.
Copyright: COPYRIGHT 2015 A wholly owned subsidiary of Media Sources, Inc. No redistribution permitted.
http://www.hbook.com/magazine/default.asp
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Smith, Robin. "How Jelly Roll Morton Invented Jazz." The Horn Book Magazine, vol. 91, no. 3, May-June 2015, p. 134. Gale General OneFile, link.gale.com/apps/doc/A411615633/ITOF?u=schlager&sid=bookmark-ITOF&xid=2d941858. Accessed 14 Mar. 2025.
Winter, Jonah HOW JELLY ROLL MORTON INVENTED JAZZ Neal Porter/Roaring Brook (Children's Picture Books) $17.99 6, 16 ISBN: 978-1-59643-963-4
Winter offers a speculative look at the life and musical career of jazz innovator Jelly Roll Morton.Weaving a quasi-poetic text in the second person, an adulatory narrator addresses readers: "Here's what could've happened / if you were born a way down south / in New Orleans, in the Land of Dreams / a long, long time ago." Talented Morton played piano in bars as a boy; his great-grandmother threw him out for being a "LOWLIFE MUSICIAN." Regarding this trauma, the narrator contends: "just one thing in the world, / could make the crying stop: // And this is why / and this is how / a thing called JAZZ got invented / by a man named Jelly Roll Morton. / Leastwise, that's what / I thought I heard Mister Jelly Roll say." Winter intersperses italicized lyrics from several songs in Morton's repertoire, adding an invented verse to one. While the text pivots on Morton's self-promotion as the inventor of jazz (which music historians both debate and dispute), the choice of an unreliable narrator arguably muddies still waters. Mallett's acrylic paintings use red-golds and blue-blacks to evoke sunset and twilit tableaux filigreed with musical notation. Morton is mostly shown from behind or in silhouette; the cover portrait and one interior one, painted from different decades without attribution, don't cohere. Morton's seminal role in jazz deserves both celebration and elucidation; this disjointed treatment mainly accomplishes the former. (author's note, recommended listening, bibliography) (Picture book/biography. 5-10)
Copyright: COPYRIGHT 2015 Kirkus Media LLC
http://www.kirkusreviews.com/
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"Winter, Jonah: HOW JELLY ROLL MORTON INVENTED JAZZ." Kirkus Reviews, 15 Mar. 2015. Gale General OneFile, link.gale.com/apps/doc/A404948102/ITOF?u=schlager&sid=bookmark-ITOF&xid=9d9626d5. Accessed 14 Mar. 2025.
Take a Picture of Me, James Van Der Zee!
Keith Mallett, illustrator
Lee & Low Books
95 Madison Avenue, New York, NY 10016
www.leeandlow.com
9781620142608, $18.95, HC, 40pp, www.amazon.com
James Van Der Zee was just a young boy when he saved enough money to buy his first camera. He took photos of his family, classmates, and anyone who would sit still for a portrait. By the fifth grade, James was the school photographer and unofficial town photographer. Eventually he outgrew his small town and moved to the exciting, fast-paced world of New York City. After being told by his boss that no one would want his or her photo taken by a black man, James opened his own portrait studio in Harlem. He took photographs of legendary figures of the Harlem Renaissance ranging from politicians such as Marcus Garvey, to performers including Florence Mills, Bill "Bojangles" Robinson, and Mamie Smith, as well as ordinary folks in the neighborhood. The effectively collaborative work of author Andrea J. Loney and illustrator Keith Mallett, "Take a Picture of Me, James Van Der Zee!" is a charmingly informative picture book story of a groundbreaking artist who chronicled an important era in Harlem and showed the beauty and pride of its people. A thoroughly 'kid friendly' biographical account for children ages 6 to 9, "Take a Picture of Me, James Van Der Zee!" is an especially recommended addition to family, elementary school, and community library collections.
Andrea J. Loney, author
Please Note: Illustration(s) are not available due to copyright restrictions.
Copyright: COPYRIGHT 2017 Midwest Book Review
http://www.midwestbookreview.com/cbw/index.htm
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"Take a Picture of Me, James Van Der Zee!" Children's Bookwatch, Sept. 2017. Gale General OneFile, link.gale.com/apps/doc/A511040061/ITOF?u=schlager&sid=bookmark-ITOF&xid=a6363c71. Accessed 14 Mar. 2025.
Loney, Andrea J. TAKE A PICTURE OF ME, JAMES VANDERZEE Lee & Low (Children's Informational) $18.95 6, 1 ISBN: 978-1-62014-260-8
It happened with a click!As a young boy in Lenox, Massachusetts, James VanDerZee is introduced to a new device--the camera--that changes his life. Glowing acrylics shot with light show James as he saves up for his first camera and begins to experiment and grow as an artist, while straightforward prose focuses on notable and interesting aspects of his life. Ready for adventure, James moves to Harlem at age 18 and, after working a series of odd jobs, is able to establish himself as a studio and street photographer, depicting other African-Americans in Harlem, from politicians to musicians to sports heroes and from the middle class as well as the more commonly photographed rich and poor. When cameras become readily available to consumers, VanDerZee's skills fall from favor, and it is not until years later, when an exhibition called "Harlem on My Mind" presents his collected work, that he receives the recognition he deserves. Children will be drawn in by VanDerZee's struggles, inspirations, and achievements as well as the idea that photographs can be both works of art and enduring historical records--and that they can be taken by devices other than phones. Backmatter includes an afterword, a bibliography, and a selection of VanDerZee's photographs. A fascinating look at the development of early photography, the life of an African-American artist, and the world of the Harlem Renaissance. (Picture book/biography. 6-10)
Copyright: COPYRIGHT 2017 Kirkus Media LLC
http://www.kirkusreviews.com/
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"Loney, Andrea J.: TAKE A PICTURE OF ME, JAMES VANDERZEE." Kirkus Reviews, 1 May 2017. Gale General OneFile, link.gale.com/apps/doc/A491002855/ITOF?u=schlager&sid=bookmark-ITOF&xid=7ca1ceb0. Accessed 14 Mar. 2025.
Sonny's Bridge: Jazz Legend Sonny Rollins Finds His Groove
Barry Wittenstein, illus. by Keith Mallett. Charlesbridge, $17.99 (40p) ISBN 978-1-58089-881-2
This insightful biography of Sonny Rollins opens with two New Yorkers hearing the sound of saxophone: "What the heck is Sonny Rollins doing on the Williamsburg Bridge?" Wittenstein turns back the clock as Mallett depicts formative moments from Rollins's life alongside concurrent historical events: Rollins is born at the time of the Harlem Renaissance, and discovers a love for saxophone as WWII soldiers march and eventually give way to civil rights demonstrators. After Rollins's music career launches and he "rockets to the top of the jazz universe," the book fast forwards to Rollins's mid-career moment of crisis: "Looks in the mirror,/ doesn't like what he sees./ Name bigger than talent." Seeking a private place to play (Rollins leans dejectedly on his fire escape, his saxophone resting against the railing, the sun setting over the Manhattan skyline), he finds solace in practicing on the bridge, which connects "the old to the new," and leads to a new recording. Wittenstein fluidly provides historical context while exploring the ebbs and flows of the artistic process. Back matter discusses Rollins's The Bridge album. Ages 6-9. (May)
Copyright: COPYRIGHT 2019 PWxyz, LLC
http://www.publishersweekly.com/
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"Sonny's Bridge: Jazz Legend Sonny Rollins Finds His Groove." Publishers Weekly, vol. 266, no. 18, 6 May 2019, p. 61. Gale General OneFile, link.gale.com/apps/doc/A585671690/ITOF?u=schlager&sid=bookmark-ITOF&xid=2ff20356. Accessed 14 Mar. 2025.
Sonny's Bridge: Jazz Legend Sonny Rollins Finds His Groove. By Barry Wittenstein. Illus. by Keith Mallett. May 2019. 32p. Charlesbridge, $17.99 (9781580898812). Gr. 1-3. 788.7.
Walter Theodore "Sonny" Rollins was born during the Jazz Age in the cradle of the Harlem Renaissance. After WWII, jazz slowly morphed into bebop, and Sonny was in the middle of it. Overwhelmed by early fame, the young saxophonist decided to take a break from the limelight--until the siren song called again, and he began practicing on the Williamsburg Bridge, away from complaining neighbors. The text is divided into "sets," framing the narrative within larger historical moments, and Wittenstein presents the story in jaunty, lyrical phrasings. He also works in the titles of famous standards like "Stompin' at the Savoy" and "Take the A' Train." Mallett's palette alternates between royal purples and sandy browns, with the digital art seeming to glow during Sonny's highs and dim during his lows. The back matter details some of his heavier moments, including issues with substance abuse, and it mentions a current-day project to rename the Williamsburg Bridge after Rollins. A good choice for collections in need of biographies focused on music or lesser-known African American musicians. --Shelley M. Diaz
Copyright: COPYRIGHT 2019 American Library Association
http://www.ala.org/aboutala/offices/publishing/booklist/
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Diaz, Shelley M. "Sonny's Bridge: Jazz Legend Sonny Rollins Finds His Groove." Booklist, vol. 115, no. 17, 1 May 2019, p. 79. Gale General OneFile, link.gale.com/apps/doc/A587366914/ITOF?u=schlager&sid=bookmark-ITOF&xid=e4985cc4. Accessed 14 Mar. 2025.
Sing a Song: How "Lift Every Voice and Sing" Inspired Generations
by Kelly Starling Lyons; illus. by Keith Mallett
Primary Paulsen/Penguin 32 pp. g
8/19 978-0-525-51609-5 $17.99
"Lift Every Voice and Sing" enjoys a hallowed place in the Black community. Often sung at ceremonies, cultural events, religious and secular gatherings, and family reunions, the Black National Anthem has inspired, motivated, and comforted African Americans for generations. In her picture-book homage to the song, Lyons employs an effective direct-address text: "Before you were born, a girl learned a song." In 1900 that girl, shown in Mallett's striking digital art, has learned the anthem from her school principal, James Weldon Johnson (the author of the original poem), in commemoration of Abraham Lincoln's birthday. Lyons then takes readers on a journey through five generations, as the song follows the girl's family through the Great Migration, the Civil Rights Movement, the murder of Martin Luther King Jr., and ultimately to the historic opening of the Smithsonian National Museum of African American History and Culture in 2016. Variations on a refrain tie the eras together: "She sang it when she rocked her baby boy to sleep. It was a part of her she wanted to pass on. And you know what? Her little boy learned that song." Lyrics from the anthem are interspersed throughout at appropriate moments (for Dr. King's assassination: "Sing a song full of the faith that the dark past has taught us"). Through Lyons's emotion-filled text and Mallett's rich illustrations, highlighted with bright purples and warm blacks, browns, and golds, readers derive a sense of the collective historical and cultural significance of the anthem, as well as the deeply personal connections that it carries.
Most of the books are recommended; all of them are subject to the qualifications in the reviews. g indicates that the book was read in galley or page proof. The publisher's price is the suggested retail price and does not indicate a possible discount to libraries. Grade levels are only suggestions; the individual child is the real criterion. * indicates a book that the editors believe to be an outstanding example of its genre, of books of this particular publishing season, or of the author's body of work. For a complete key to the review abbreviations as well as for bios of our reviewers, please visit hbook.com/horn-book-magazine.
Copyright: COPYRIGHT 2019 A wholly owned subsidiary of Media Sources, Inc. No redistribution permitted.
http://www.hbook.com/magazine/default.asp
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Harris, Monique. "Sing a Song: How 'Lift Every Voice and Sing' Inspired Generations." The Horn Book Magazine, vol. 95, no. 5, Sept.-Oct. 2019, pp. 62+. Gale General OneFile, link.gale.com/apps/doc/A610419012/ITOF?u=schlager&sid=bookmark-ITOF&xid=6af131d6. Accessed 14 Mar. 2025.
Lyons, Kelly Starling SING A SONG Nancy Paulsen Books (Children's Informational) $17.99 8, 6 ISBN: 978-0-525-51609-5
"Before you were born, a girl learned a song"--so begins the story of how "Lift Every Voice" takes root in a young African American girl's heart and becomes a source of fortitude for her and her descendants, who continue learning, singing, and passing the song along.
Readers learn that the hymn was written by the fictional protagonist's principal, James Weldon Johnson, and his brother, John Rosamond Johnson, to be sung during a celebration of Abraham Lincoln's birthday in 1900. As she grows and passes the song down through generations, significant events in the lives of African Americans unspool, including the Great Migration and the assassination of Dr. Martin Luther King Jr. and culminating with the ringing of "the freedom bell" at the opening ceremony of the National Museum of African American History and Culture in Washington, D.C. Lyons writes with rhythmic warmth, weaving the lyrics into her story. Full of faith and hope, they were the foundation of the civil rights movement and continue to be a source of encouragement and pride. Mallett's artwork charmingly illumines the faces of the singers in the book, revealing their passion and often joy in singing what's become cherished as the African American national anthem. An author's note reveals that the story spread after Johnson's students took it for their own and shared it.
A beautiful celebration of a song that continues to give life to African Americans. (Picture book. 4-8)
Copyright: COPYRIGHT 2019 Kirkus Media LLC
http://www.kirkusreviews.com/
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"Lyons, Kelly Starling: SING A SONG." Kirkus Reviews, 1 July 2019. Gale General OneFile, link.gale.com/apps/doc/A591278941/ITOF?u=schlager&sid=bookmark-ITOF&xid=7d820005. Accessed 14 Mar. 2025.
Runaway: The Daring Escape of Ona Judge. By Ray Anthony Shepard. Illus. by Keith Mallett. Jan. 2021.40p. Farrar, $18.99 (9780374307042). K-Gr. 2. 973.4.
Safety and freedom are the considerations Ona Judge must weigh in this historical picture book based on the life of a woman enslaved by Martha Washington. In the scenes of Judge's early life, she is always shown marginalized, frowning off to the side of her illustrious owners. "Why you run, Ona Judge?" is the narrator's refrain, which initially is supported by the idea that the young, Black woman's life was relatively privileged: she didn't work in the fields, was well fed and clothed, and saw history being made in the president's house. But Shepard quickly exposes the lie of that argument, showing that Judge had no choice in whether she stayed with her mother or even was given to someone else, and the reasons to run away, further emphasized by Mallet's finely detailed illustrations, will be self-evident to young readers. An author's note, time line, bibliography, and list of places to visit add important ways to help children gain a more nuanced view of American history. A fine addition to all collections.--Karen Cruze
** Women in Focus: The 19th in 2020
Copyright: COPYRIGHT 2020 American Library Association
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Cruze, Karen. "Runaway: The Daring Escape of Ona Judge." Booklist, vol. 117, no. 7, 1 Dec. 2020, p. 38. Gale General OneFile, link.gale.com/apps/doc/A647835864/ITOF?u=schlager&sid=bookmark-ITOF&xid=316ac7bc. Accessed 14 Mar. 2025.
Ray Anthony Shepard, illus. by Keith Mallett. Farrar, Straus and Giroux, $18.99 (40p) ISBN 978-0-374-30704-2
In a stunning picture book debut, historian Shepard pens a free verse poem addressing Ona Judge, a young Black woman who emancipated herself from George and Martha Washington's ownership. Born to an enslaved Black seamstress and a white indentured servant, Ona grew up conscripted as a playmate for the Washingtons' grandchildren until she was taken from her mother at age 16 and made a personal servant to Martha Washington. Employing the refrain "Why you run Ona Judge?" Shepard crafts impactful metaphors ("You were his money walking out the door") and incisive questions, exposing the fallacy of Ona's "good" treatment by conveying the inherent dehumanization that she and other enslaved people experienced. Tonal paintings by Mallett incorporate fabric collage, lending a sense of both immediacy and historicity. An evocative portrait that keenly interrogates the structures upon which America is built. Back matter includes an author's note, timeline, bibliography, acknowledgments, and list of places to visit. Ages 3-6. (Jan.)
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"Runaway: The Daring Escape of Ona Judge." Publishers Weekly, vol. 267, no. 50, 7 Dec. 2020, p. 132. Gale General OneFile, link.gale.com/apps/doc/A647209930/ITOF?u=schlager&sid=bookmark-ITOF&xid=6d76958b. Accessed 14 Mar. 2025.
Thomson, Sarah L. BROWN IS WARM, BLACK IS BRIGHT Little, Brown (Children's None) $18.99 8, 30 ISBN: 978-0-316-42419-6
A young brown-skinned child happily goes about their day, accompanied by a nurturing adult.
The child, who has an afro-puff ponytail framed by cornrow braids, plays in piles of leaves and water puddles, watches a bird soar in the sky, drinks tea with honey while reading about the actions of African American activists during the civil rights movement, and plays a stringed instrument before being tucked into bed with a kiss by their caregiver. Both the child and caregiver are Black. Simple text complements the illustrations and links the colors brown and black to both the actions depicted and the natural world: "Brown is crisp // crunch and crackle, / catch me as I fall"; "Black is flight // inky wings / on wet watercolor clouds." The verses are beautifully written ("Black is bright // tender darkness / glowing between stars"; "Black is hope // floating far / a flower hidden deep"). However, younger readers may need assistance teasing out the connection between the often complex text and the more accessible images. Illustrations, drawn and painted digitally, are soft, rich, and warm, evoking feelings of safety and calm. (This book was reviewed digitally.)
A solid contribution that celebrates the everyday joy of Black children and their families. (Picture book. 5-8)
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"Thomson, Sarah L.: BROWN IS WARM, BLACK IS BRIGHT." Kirkus Reviews, 1 June 2022. Gale General OneFile, link.gale.com/apps/doc/A705356089/ITOF?u=schlager&sid=bookmark-ITOF&xid=55f86811. Accessed 14 Mar. 2025.
When Langston Dances
by Kaija Langley; illus. by Keith Mallett
Primary Simon 40 pp. g
9/21 978-1-5344-8519-8 $17.99
e-book ed. 978-1-5344-8520-4 $10.99
Ballet brings Black boy joy to life in full color. An exuberant brown-skinned boy with an impressive flat-top haircut, Langston enjoys basketball but loves ballet. When he and his mother attend an Alvin Ailey dance performance, Langston is riveted. A Black male dancer performs a grand jete so high that he breaks through the frame of the illustration. Heading to his very first ballet lesson, Langston dances for everyone he meets (captured in a joyous double-page spread showing him leaping and twirling through a series of vignettes) but falters briefly when an older kid tells him, "Boys don't dance like that." At Ms. Marie's dance studio, Langston passes co-ed classes of kids learning hip-hop, African dance, and tap on his way to his ballet class, which consists only of girls wearing pastel tutus and white ballet slippers. He joins in and emulates Ms. Marie's movements in his sneakers until she uncovers a pair of black ballet slippers that she says he must work hard to earn. He eagerly agrees, and the final illustrations suggest that he delivers on his promise. Langston's red basketball jersey and shorts stand out visually and reflect the character's bold approach to ballet. The illustrations also counter stereotypes and invite children from every background to enjoy dance.
Copyright: COPYRIGHT 2022 A wholly owned subsidiary of Media Sources, Inc. No redistribution permitted.
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Martin, Michelle H. "When Langston Dances." The Horn Book Magazine, vol. 98, no. 1, Jan.-Feb. 2022, pp. 90+. Gale General OneFile, link.gale.com/apps/doc/A691002768/ITOF?u=schlager&sid=bookmark-ITOF&xid=692790b5. Accessed 14 Mar. 2025.
Kaija Langley, illus. by Keith Mallett. S&S/Millner, $17.99 (40p) ISBN 978-1-5344-8519-8
"Langston liked basketball, but he adored ballet." A Black boy recognizes his. love of ballet after his mother takes him to see the Alvin Ailey Dance Company. When, post-performance, Langston asks whether he, too, could dance like that, his mother offers an encouraging response: "You can do whatever you set your mind to doing." Thus begins Langston's journey toward balletic excellence in this firmly uplifting narrative. Though a child on the way to Langston's first dance class attempts to bring the burgeoning dancer down with a gendered sneer, Langston perseveres, in spreads showcasing an engrossing flipbook-like progression of his moves. Langley utilizes plentiful dialogue and repetition to draw readers in: "And Langston danced... and danced... and danced," the final spreads read, showing the maturing protagonist continuing to dance over the years. Malleus lively, realistic illustrations, characterized by airbrushed strokes and dynamic dancers of varying skin tones, help further bring the story to life. Notable is Langston's unwavering passion for ballet--and his mother's just as steadfast support--in this richly affirmative picture book. Ages 4-8. (Sept.)
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"When Langston Dances." Publishers Weekly, vol. 268, no. 36, 6 Sept. 2021, pp. 92+. Gale General OneFile, link.gale.com/apps/doc/A675525140/ITOF?u=schlager&sid=bookmark-ITOF&xid=7cffbda7. Accessed 14 Mar. 2025.
Curve & Flow: The Elegant Vision of L.A. Architect Paul R. Williams
by Andrea J. Loney; illus. by Keith Mallett
Primary Knopf 48 pp. g
9/22 978-0-593-42907-5 $18.99
Library ed. 978-0-593-42908-2 $21.99
e-book ed. 978-0-593-42909-9 $11.99
Paul R. Williams was born in Los Angeles in 1894; his parents died when he was five, and his brother was sent to a different foster home. Despite this early tragedy, Paul flourished creatively, demonstrating a talent for drawing that blossomed into a career as an architect. By 1921, facing discrimination and prejudice at every turn, he had become the first Black certified architect west of the Mississippi River. Southern California was becoming a cultural mecca, and Williams took advantage of that to put his iconic stamp on many prominent buildings. He didn't stop there, though. He also got into the banking industry to help African Americans overcome the predatory, discriminatory practice of redlining. In 1948, the Supreme Court struck down laws upholding restrictive housing covenants, and Paul was finally free to build his dream house in his desired neighborhood. If "curve and flow" represents elements of Williams's design style, the motto also signifies how he dealt with the obstacles and opportunities he faced in life. Alongside the generally optimistic text, the illustrations reinforce this theme of overcoming adversity. They convey grace, warmth, and dignity with a color palette dominated by purple, gold, blue, brown, and burgundy, and expressive figures who fairly shine and glow. An author's note, sources, photos, and a timeline are appended.
Copyright: COPYRIGHT 2022 A wholly owned subsidiary of Media Sources, Inc. No redistribution permitted.
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Hunt, Jonathan. "Curve & Flow: The Elegant Vision of L.A. Architect Paul R. Williams." The Horn Book Magazine, vol. 98, no. 5, Sept.-Oct. 2022, p. 109. Gale General OneFile, link.gale.com/apps/doc/A719029198/ITOF?u=schlager&sid=bookmark-ITOF&xid=a682124e. Accessed 14 Mar. 2025.
Curve and Flow: The Elegant Vision of L.A. Architect Paul R. Williams. By Andrea J. Loney. Illus. by Keith Mallett. Sept 2022.48p. Knopf, $18.99 (9780593429075). K-Gr. 3.920.
This is a handsome picture-book biography of pioneering Black architect Paul R. Williams. Orphaned at age four, Williams always knew he wanted to be an architect and dreamed that one day he would build a home for his new family. However, early-twentieth-century Los Angeles was not ready for a Black architect. Williams was known for his distinctive "curve and flow" architectural style, and the powerful text tells how he also curved and flowed around hateful roadblocks: attending five different schools at the same time, learning to sketch upside down and backwards to bring clients' ideas to life right before their eyes, starting a bank to encourage African American homeownership. Besides designing mansions and landmark buildings, the "Architect to the Stars" fought unjust zoning laws and served on President Eisenhower's National Housing Commission. The amazing artwork is detailed and nuanced; back matter includes photos, an author's note, a list of selected resources, and a time line that includes Williams' many honors and accolades. This inspiring account has multiple applications and excels on multiple levels. --Kathleen McBroom
Copyright: COPYRIGHT 2022 American Library Association
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McBroom, Kathleen. "Curve and Flow: The Elegant Vision of L.A. Architect Paul R. Williams." Booklist, vol. 119, no. 1, 1 Sept. 2022, p. 60. Gale General OneFile, link.gale.com/apps/doc/A718452270/ITOF?u=schlager&sid=bookmark-ITOF&xid=8012d2f7. Accessed 14 Mar. 2025.
Armand, Glenda ICE CREAM MAN Crown (Children's None) $18.99 1, 17 ISBN: 978-0-593-56322-9
In the years prior to the Civil War, a Black man found a way to make ice cream more accessible to the masses.
Augustus "Gus" Jackson was born in 1808 to a poor but free African American family in Philadelphia. He enjoyed preparing meals and at age 12 found a job helping the cooking staff in the White House, working his way up to becoming one of them by the time he was 17. He learned to make ice cream and, several years later, took his skills back to Philadelphia, where he opened his own shop, which became popular with customers. For the first time, people other than the wealthy could enjoy ice cream. While others also opened ice cream parlors, Gus looked for a way to make his ice cream faster and to ensure it would last longer so he could sell it to other stores. Once he achieved his goals, Gus was even able to ship his popular treat without it melting. Gus' family joined him in his business as it grew. This lively narrative shines a light on a little-known story of how an African American inventor impacted American food culture. The emphasis here is on his abilities and perseverance to make his vision a reality. Mallett's colorful digital paintings add to the generally upbeat tone of the storytelling. (This book was reviewed digitally.)
A charming--and tasty--slice of history. (ice cream recipe, afterword, sources) (Picture-book biography. 4-8)
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"Armand, Glenda: ICE CREAM MAN." Kirkus Reviews, 1 Dec. 2022. Gale General OneFile, link.gale.com/apps/doc/A729072500/ITOF?u=schlager&sid=bookmark-ITOF&xid=9e2efd0a. Accessed 14 Mar. 2025.
Glenda Armand and Kim Freeman, illus. by Keith Mallett. Crown, $18.99 (40p) ISBN 978-0-593-56322-9
The subject of Armand and Freeman's collaboration, Black ice cream vendor Augustus Jackson (1808-1852), began his life in Philadelphia, where slavery was outlawed. After cooking regularly for his family, Augustus decided at age 12 to support them further, using his kitchen know-how to find work. He applied and was hired at the White House, and by 17 he'd earned the title of cook and developed a particular expertise: making ice cream for White House guests. One day, he developed a new dream--making ice cream that all could enjoy--and opened an ice cream parlor in his hometown. By adding rock salt to the ice that froze the confection, he started conjuring ice cream in half the time, a change that allowed him to sell the product "near and far." Text takes a reminiscing tone, while digitally painted period illustrations shine light on every face in this book about "Philly's original Ice Cream Man." Back matter includes an ice cream recipe and afterword. Ages 4-8. (Jan.)
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"Ice Cream Man: How Augustus Jackson Made a Sweet Treat Better." Publishers Weekly, vol. 269, no. 53, 19 Dec. 2022, p. 88. Gale General OneFile, link.gale.com/apps/doc/A731556035/ITOF?u=schlager&sid=bookmark-ITOF&xid=2f6b7417. Accessed 14 Mar. 2025.
Traveling Shoes
Alice Faye Duncan, author
Keith Mallett, illustrator
Calkins Creek
https://astrapublishinghouse.com/imprints/calkins-creek
9781635925807, $18.99, HC, 48pp
https://www.amazon.com/Traveling-Shoes-Willye-Olympian-Champion/dp/1635925800
Synopsis: Future Olympian Willye B. White was born in 1939 in Money, Mississippi -- but money was exactly what she didn't have. Abandoned by both her parents, she worked alongside her grandparents in the cotton fields. Willye had big dreams, though. So when her cousin noticed she was the fastest runner around, Willye jumped at the chance to put on her traveling shoes and run her way to better opportunities. And run Willye did, first for the Tennessee State Tigerbelles and then for the US Olympic team. Her struggles weren't over though -- time and again, Willye had to remind herself, "I believe in me", whether she was running and jumping or witnessing the turmoil of the Civil Rights Movement.
Critique: "Traveling Shoes: The Story of Willye White, US Olympian and Long Jump Champion" showcases author/storyteller Alice Faye Duncan's signature combination of poetry and prose combined with artist/illustrator Keith Mallett's lifelike illustrations. Young readers ages 7-10 will be inspired by this picture book story of Willye White's persistence and will learn how she contributed to Black progress with muscle and grit. While a strongly recommended pick for family, elementary school, and community library picture book biography and African-American biography collections, it should be noted for personal reading lists that "Traveling Shoes: The Story of Willye White, US Olympian and Long Jump Champion" is also available in a digital book format (Kindle, $11.99).
Editorial Note #1: Alice Faye Duncan (https://alicefayeduncan.com) is the author of multiple children's books, including Memphis, Martin, and the Mountaintop, which received a 2019 Coretta Scott King Illustrator Honor. Her most recent books include Opal Lee and What it Means to Be Free, Evicted!, and Yellow Dog Blues, illustrated by Chris Raschka.
Editorial Note #2: Keith Mallett (https://www.keithmallett.com) is a painter, etcher, and ceramic artist, who has been nominated for the NAACP Image Award. In 2017, he created the Google doodle celebrating the birthday of Martin Luther King Jr. He has multiple picture books, including Runaway: The Daring Escape of Ona Judge, and Curve & Flow: The Elegant Vision of L.A. Architect Paul R. Williams.
Please Note: Illustration(s) are not available due to copyright restrictions.
Copyright: COPYRIGHT 2023 Midwest Book Review
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"Traveling Shoes." Children's Bookwatch, Oct. 2023. Gale General OneFile, link.gale.com/apps/doc/A773544730/ITOF?u=schlager&sid=bookmark-ITOF&xid=47a10eab. Accessed 14 Mar. 2025.
Duncan, Alice Faye TRAVELING SHOES Calkins Creek/Astra Books for Young Readers (Children's None) $18.99 10, 24 ISBN: 9781635925807
A glowing portrait of an African American track and field star who competed in five Olympics and was the first American female long jumper to medal.
With the avowed intent of inspiring readers to "dream big, prepare to win, and keep their luggage packed," Duncan frames her well-traveled subject's long career as a free verse highlight reel--beginning at the "starting block" in Mississippi, where she was raised by her grandparents, since her birth parents were unwilling or unable to do so, and ending with reflections on her achievements: "When you succeed and give your all, / people will still forget. / The halls of fame include my name. / Remember my joy and shine." Along with glancing references to raised fists and terrorist acts, reminiscences of experiences at the Olympics and other games during the 1960s and '70s are interspersed with direct motivational quotes: "People are always trying to take away my smile, but it's mine and they can't have it." Indeed, that smile shines out both in a photo of White with Wilma Rudolph and other team members at the end and in Mallett's luminous depictions of a red-haired, brown-skinned "Wild Child" racing right past older contestants at a high school tryout, taking a blurred "jump at the sun" in Mexico City, and landing triumphantly in a shower of sand in the 1963 Pan American Games against a background of Civil Rights-era protest banners.
Shines a light on a worthy role model in need of fresh recognition. (the making of Willye B. White, author's note, bibliography, timeline, photo credit) (Picture-book biography. 7-9)
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"Duncan, Alice Faye: TRAVELING SHOES." Kirkus Reviews, 1 Dec. 2023. Gale General OneFile, link.gale.com/apps/doc/A774415264/ITOF?u=schlager&sid=bookmark-ITOF&xid=a1e242a0. Accessed 14 Mar. 2025.
Mallett, Keith SHARING THE DREAM Nancy Paulsen Books (Children's None) $18.99 1, 7 ISBN: 9780593617298
The March on Washington for Jobs and Freedom, seen through the eyes of a young Black girl.
Along with her parents, young Agnes travels by bus from Birmingham, Alabama, to Washington, D.C., proud to be taking part in this momentous occasion in the summer of 1963. Munching on a homemade sandwich, Agnes dreams of prominent figures of the Civil Rights Movement such as Sidney Poitier, Lena Horne, and Jackie Robinson. (Backmatter offers a spotlight on some of the famous people who were part of the March.) Once in D.C., a detour to the historic home of Frederick Douglass places a lot of what's happening in helpful perspective. The family reads a famous quote by Douglass: "I would unite with anybody to do right and with nobody to do wrong." Agnes is pleasantly surprised to see people from all walks of life using the same water fountains (there are no "whites only" signs in sight), marching shoulder to shoulder, sharing a poignant moment in the reflection pond, and uniting for what's right. Sitting on Daddy's shoulders, Agnes takes in monumental words from John Lewis and Josephine Baker, a moving performance from Mahalia Jackson, and, ultimately, Dr. Martin Luther King Jr.'s "I Have a Dream" speech. Moses' text is tinged with childlike excitement and wonder. Mallett's digital illustrations glow with warmth, with Agnes' braids and yellow bows framing her joyful face as she listens to the speakers with pride.
A stirring tale and proof positive that young people can help make history, too. (author's note)(Picture book. 6-9)
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"Mallett, Keith: SHARING THE DREAM." Kirkus Reviews, 1 Nov. 2024. Gale General OneFile, link.gale.com/apps/doc/A813883639/ITOF?u=schlager&sid=bookmark-ITOF&xid=4cb70bc2. Accessed 14 Mar. 2025.
Sharing the Dream.
By Shelia P. Moses. Illus. by Keith
Mallett.
Jan. 2025. 32p. Penguin/Nancy Paulsen, $18.99
(9780593617298). PreS-Gr. 3.
It's August 1963, and young Agnes and her parents are on a bus headed from Birmingham to the March on Washington for Jobs and Freedom. After stopping at the former home of Frederick Douglass, where Agnes is pleased to find a water fountain without a "Whites Only" sign, the bus takes them to the starting point for the event. As the marchers proceed toward the Lincoln Memorial, more and more people join them. Sitting on her father's shoulders, Agnes listens as civil rights leaders from John Lewis to Josephine Baker address the crowd and Mahalia Jackson sings. When Dr. King begins to speak, Mahalia Jackson urges him, "Tell 'em about the dream." The demonstrators fall silent, and he shares his inspirational vision of the future. Written from Agnes' point of view, the first-person narrative transports its audience to the most successful civil rights march in American history, as experienced by a child who is moved by Dr. King's powerful "I Have a Dream" speech. Mallett's accomplished digital paintings reflect the family's experiences while bringing the marchers and speakers to life on the page. This inviting picture book offers broader context for Martin Luther King Jr. Day and a child-friendly way to open Black History Month.
Copyright: COPYRIGHT 2024 American Library Association
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Phelan, Carolyn. "Sharing the Dream." Booklist, vol. 121, no. 5-6, Nov. 2024, pp. 80+. Gale General OneFile, link.gale.com/apps/doc/A829740016/ITOF?u=schlager&sid=bookmark-ITOF&xid=a13f8a40. Accessed 14 Mar. 2025.