CANR
WORK TITLE: HOOD FEMINISM
WORK NOTES:
PSEUDONYM(S):
BIRTHDATE:
WEBSITE: https://mikkikendall.com
CITY: Chicago
STATE:
COUNTRY: United States
NATIONALITY: American
LAST VOLUME:
RESEARCHER NOTES:
PERSONAL
Born October 23, 1976, in Chicago, IL.
EDUCATION:Graduated from University of Illinois at Urbana Champaign and DePaul University.
ADDRESS
CAREER
Activist, cultural critic, and writer. Worked for Department of Veterans Affairs, until 2013; fulltime writer, 2013–. Has been a cultural commentator for National Public Radio, Al Jazeera, and the BBC.
MIILITARY:U.S. Army.
WRITINGS
Contributor of articles and essays in websites and journals, including the London Guardian, the Boston Globe, NBC Think, Ebony, Time, the Washington Post, Bustle, Islamic Monthly, Essence, Publishers Weekly, Global Comment, Salon, xoJane, the Toast, and Eater. Editor of the anthology Hidden Youth, Crossed Genres Press, 2016; also author of the comics Swords of Sorrow and the “Princeless Charity” series. Author of a blog since 2003.
SIDELIGHTS
Mikki Kendall is an American activist, cultural critic, and writer. Born and raised in Chicago, she went on to earn degrees in history and writing from the University of Illinois at Urbana Champaign and DePaul University. She served in the United States Army and subsequently worked for the Department of Veterans Affairs until 2013. At that point, Kendall turned to writing fulltime. She has published a number of articles and essays in websites and journals, including the London Guardian, the Boston Globe, NBC Think, Ebony, Time, the Washington Post, Bustle, Islamic Monthly, Essence, Publishers Weekly, Global Comment, Salon, xoJane, the Toast, and Eater. Kendall has also served as a cultural commentator for National Public Radio, Al Jazeera, and the BBC. In her blog, which she started in 2003, Kendall has covered a range of topics, including parenting, abortion, education, politics, and police brutality. Her hashtag #solidarityisforwhitewomen generated much attention and discussion in feminist circles on issues of race, representation, and inclusion.
Kendall published the graphic account Amazons, Abolitionists, and Activists: A Graphic History of Women’s Fight for Their Rights in 2019. Illustrated by Aster D’Amico, the account is centered on the question of who won women’s rights and profiles many who had fought for those rights throughout history. Kendall keeps the profiles small in order to include a larger number of individuals, ranging from Susan B. Anthony to Josephine Baker and the Viking Age to the Harlem Renaissance. Kendall also covers lesser-known disability rights advocates, black activists, and Native American leaders who made notable efforts in their push for more inclusive rights but have yet to receive more widespread attention.
Booklist contributor Sarah Hunter claimed that “this is a stunning introduction that will be deeply illuminating to teen and adult readers about the long, vast, and ongoing history of women in power.” A contributor to Publishers Weekly pointed out that the book’s “largest omission is that of a bibliography.” Nevertheless, the Publishers Weekly reviewer admitted that “what is accomplished in these lively, jewel-toned pages speaks for itself.” A Kirkus Reviews contributor suggested that “source notes and suggestions for further reading would have been valuable additions.” The same critic called Amazons, Abolitionists, and Activists “a fabulous introduction–informative, forthright, and highly appealing.” Reviewing the book in Comics Beat, Nancy Powell took note of Kendall’s choice to include both well-known and obscure activists in the account, finding that her “thoughtful additions of some of these little known figures compels readers to pursue their own research on the topic.” Powell added that “D’Amico’s colorful, detailed portraits of the women add to the narrative’s historical context.” Concluding her review, Powell stated that “Amazons, Abolitionists, and Activists is a wonderful and surprisingly informative addition to the canon of women’s rights literature.”
In 2020 Kendall published Hood Feminism: Notes from the Women That a Movement Forgot. The account problematizes mainstream feminism for failing to sufficiently incorporate the voices of minority groups in their standard tropes and discourses and covering more petty topics than the survival of many marginalized women. Kendall criticizes “theoretically feminist white women” for a number of issues, ranging from their leaning on patriarchal systems for protection to their inability to address white supremacy as a common problem. She also urges white, cisgender, straight, middle- and upper-class women “allies” to begin acting more as “accomplices” instead.
In an interview in Publishers Weekly, Kendall talked with Vicki Borah Bloom about the frequency of intersectionalism in feminist rhetoric. She lamented, though, that black people and other minority identities are frequently excluded, noting that these people often “turn it into ‘It’s about class, not about race.’ They’re sidestepping their own discomfort with race, I suspect, but also creating a situation where their work leaves out the people most likely to be impacted. I want to shift that.”
A contributor to Publishers Weekly credited Kendall with being able to express “what true intersectional feminism looks like.” The same reviewer concluded that “this hard-hitting guide delivers crucial insights for those looking to build a more inclusive movement.” A Kirkus Reviews contributor insisted that “Kendall is a highly knowledgeable and inspiring guide, and she effectively builds on the work of” her predecessors. The same critic labeled Hood Feminism “a much-needed addition to feminist discourse.”
BIOCRIT
PERIODICALS
Booklist, November 15, 2019, Sarah Hunter, review of Amazons, Abolitionists, and Activists: A Graphic History of Women’s Fight for Their Rights, p. 38.
Kirkus Reviews, October 1, 2019, review of Amazons, Abolitionists, and Activists; December 15, 2019, review of Hood Feminism: Notes from the Women That a Movement Forgot.
Publishers Weekly, November 4, 2019, review of Amazons, Abolitionists, and Activists, p. 48; December 20, 2019, Vicki Borah Bloom, “The Future of Feminism: PW Talks with Mikki Kendall;” December 23, 2019, review of Hood Feminism, p. 99.
ONLINE
Comics Beat, https://www.comicsbeat.com/ (November 5, 2019), Nancy Powell, review of Amazons, Abolitionists, and Activists.
Mikki Kendall website, https://mikkikendall.com (January 19, 2020).
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Mikki Kendall
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Mikki Kendall
Author, activist, and cultural critic Mikki Kendall.jpg
Born Chicago, Illinois, United States
Occupation Writer
Language English
Genres essays
cultural critic
Notable work Amazons, Abolitionists, and Activists
Hood Feminism
Website
mikkikendall.com
Mikki Kendall (b. October 23, 1976[1]) is an author, activist, and cultural critic. Her work often focuses on current events, media representation, the politics of food, and the history of the feminist movement. Penguin Random House published her graphic novel Amazons, Abolitionists, and Activists in 2019, while her political-nonfiction book Hood Feminism will be released in early 2020.[2]
Contents
1 Personal life and education
2 Career
3 Books
4 References
5 External links
Personal life and education
Kendall was born in Chicago, Illinois,[2] and raised in Hyde Park.[3][4] A graduate of the University of Illinois at Urbana Champaign[5] and DePaul University, Kendall holds degrees in history and writing.
Career
A veteran of the United States Army,[3] Kendall worked in government service until 2013 when she left her job at the Department of Veterans Affairs[6] to pursue her writing career full-time.
Kendall is currently an essayist and cultural critic. She has written for The Guardian,[7] The Boston Globe,[8] NBC News,[9] The Washington Post,[10] Bustle,[11] Essence[12] and Eater[13] (with her essay in Eater “Hot Sauce in Her Bag” named a Best Food Essay by the Association of Food Journalists[14]). She has appeared as a cultural commentator on NPR,[15] Al Jazeera,[16] and the BBC.[17]
She is recognizable as a member of Black Twitter.[18] Kendall is also the creator of the viral Twitter hashtags #SolidarityIsForWhiteWomen,[19] which criticized racism in the feminist movement,[20] as well as #FastTailedGirls, a reference to the hypersexualization of Black girls, and #FoodGentrification, about the marginalization of traditional foods by commercial interest.[3]
Kendall edited the science-fiction anthology Hidden Youth for Crossed Genres Press in 2016.[21] Kendall's graphic novel history Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for Their Rights is forthcoming in November 2019 from Ten Speed Press[22] and her political-nonfiction book Hood Feminism: Notes From the Women a Movement Forgot is forthcoming from Viking books in February 2020.[23]
Books
Hidden Youth (ed). ISBN 978-0-9913921-0-0
Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for Their Rights ISBN 9780399581793
Hood Feminism: Notes From the Women a Movement Forgot ISBN 9780525560548
Mikki Kendall, a writer and occasional feminist, divides her time between two careers, a family and brunch. Her writing covers a wide of topics including media representation, police brutality, food insecurity and others issues that impact marginalized people. Her nonfiction work has appeared in the Guardian, Washington Post, Ebony, Essence, Time, Islamic Monthly and a host of other publications.
Mikki Kendall lives and works in Chicago where she wields words and raises a family. She has a couple of degrees, a couple of kids, and one patient husbeast. A graduate of the University of Illinois at Urbana Champaign and DePaul, Mikki Kendall has been blogging since 2003 under the pen name Karnythia. She has discussed topics ranging from Chicago violence to police brutality, from parenting to racial representation in media, from reproductive health to food insecurity. She has also covered abortion, education, and politics.
In August of 2013, Mikki started the hashtag #solidarityisforwhitewomen. It sparked a global conversation about racism, solidarity, representation, and access to resources in feminist circles. Her other hashtags (including #fasttailedgirls, #NotJustHello, #AbuserDynamics, #MillenialMammy, #NotYourMandingo, and others designed to make room for hard conversations about feminist issues) have also gone viral. She has written for NBC Think, Washington Post, The Guardian, Ebony, Essence, Publishers Weekly, Global Comment, Salon, xoJane, The Toast, and other online and print markets. She has also been published in several anthologies, both fiction and nonfiction. Her professional comics work includes Swords of Sorrow with Dynamite Comics, and Action Lab's Princeless Charity Series.
The Future of Feminism: PW Talks with Mikki Kendall
By Vicki Borah Bloom | Dec 20, 2019
Comments Click Here
In Hood Feminism (Viking, Mar.), blogger and activist Kendall charts a new direction for the women’s movement.
Who’s the audience for this book?
photo:Patrick Thicklin
Mikki Kendall
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Hopefully feminists who want to do better, and feminists who are doing the work but often feel like they’re going unrecognized. People invested in the future of feminism.
How do you hope they respond?
I hope it makes people really consider what they’ve done, how they’ve done it, and what other people are doing. Even if it makes them angry. The response might look like a little less pink pussy hats and a lot more people showing up for Black Lives Matter protests.
What did your hashtag #SolidarityIsForWhiteWomen accomplish?
I started that before we understood viral hashtags. I was ranting, basically. And it was like I gave people permission to say all of the things they had been feeling and thinking. All over the world, more than seven million people used that hashtag to talk about everything from gender to medical care—issues where they felt like they had no use for feminism, because mainstream feminism had no time for them.
Third- and fourth-wave feminists often discuss intersectionality as one of their core precepts. What are they still doing wrong?
I’ve seen a lot of people talk about intersectional feminism, but they’re quick to remove black people and other identities and turn it into “It’s about class, not about race.” They’re sidestepping their own discomfort with race, I suspect, but also creating a situation where their work leaves out the people most likely to be impacted. I want to shift that.
How do majority-white feminist organizations know when to step in and when to stay out of the way?
If you know that people in your town are food insecure, or that homelessness is a struggle, and that those people are disproportionately women of color, you can go to organizations already inside the community and ask “How can I help?” Sometimes it may be as simple as writing a check or forwarding our fundraiser blast to your network. There’s a lot you can do that doesn’t require you to run in as a savior and solve someone else’s problem.
Can historically white feminist organizations fundamentally change by bringing in more women of color in leadership roles?
I think they can, if the organization actually wants it to work. But this is the problem. If an organization thinks diversity looks like a majority white group with one or two brown people, then it isn’t really committed to decolonizing. Sometimes you get excuses: “Well, no one like that applied!” But if you’re recruiting for a position and there’s not a single face darker than a paper bag on your web page? You’ve told people who’s likely to be welcome.
A version of this article appeared in the 12/23/2019 issue of Publishers Weekly under the headline: The Future of Feminism
Hood Feminism: Notes from the Women That a Movement Forgot
Mikki Kendall. Viking, $26 (288p) ISBN 978-0-525-56054-8
Blogger Kendall (Amazons. Abolitionists, and Activists) indicts mainstream feminism for focusing on "debates over last names, body hair, and the best way to be a CEO" rather than the basic survival of marginalized women in this searing essay collection. Grounding her critique in personal experiences of gun violence, police discrimination, single motherhood, poverty, sexual harassment, and the "school-to-prison pipeline," Kendall accuses "theoretically feminist white women" of failing to "make common cause against white supremacy" and "turn[ing] to the patriarchy for protection" when they feel threatened. She asks white, straight, cisgender, middle- and upper-class women to become "accomplices" rather than "allies"; to stop fetishizing the bodies of women of color; and to make a living wage, safe neighborhoods,"food insecurity," voting rights, and access to quality medical care and education feminist issues. In the case of Muslim and African-American women challenging the patriarchal structures of Islam and the black church, however, Kendall advises mainstream feminists to step back and resist the impulse to play "white savior." Her forays into satire, including instructions for "How to Write About Black Women," are less impactful than her autobiographical reflections, but Kendall manages to draw a clear picture of what true intersectional feminism looks like. This hard-hitting guide delivers crucial insights for those looking to build amore inclusive movement. (Feb.)
Copyright: COPYRIGHT 2019 PWxyz, LLC
http://www.publishersweekly.com/
Source Citation
Source Citation
MLA 8th Edition APA 6th Edition Chicago 17th Edition
"Hood Feminism: Notes from the Women That a Movement Forgot." Publishers Weekly, 23 Dec. 2019, p. 99+. Gale General OneFile, https://link.gale.com/apps/doc/A610340234/ITOF?u=schlager&sid=ITOF&xid=a8cfaccf. Accessed 13 Jan. 2020.
Kendall, Mikki HOOD FEMINISM Viking (Adult Nonfiction) $26.00 2, 25 ISBN: 978-0-525-56054-8
A book about feminism from the perspectives of those often left out of the conversation.
Kendall (Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for Their Rights, 2019) takes a magnifying glass and megaphone to the plights of marginalized women, many of whom are criminally overlooked or erased in mainstream feminist discussions of the hardships women face. The author frankly highlights how issues like race, food insecurity, gun violence, and poverty, among others, are all feminist issues, with many of them overlapping or serving to exacerbate others. Using history, pop culture, and statistics along with personal stories, Kendall demonstrates the problems with mainstream feminism's lack of consideration of intersectionality. She purposefully shifts the focus to women who are generally treated as a footnote and holds up a mirror to feminism's usual spokespeople by pointing out blind spots in a movement that claims to be for all women but which has shown itself to be exclusionary of most. A military veteran, wife, mother, and ardent opponent of respectability politics, Kendall shows how several talking points used by mainstream feminists and policymakers cause more harm than good to the groups they are trying to serve, and she supplies practical suggestions for ways to make worthwhile and sustainable changes. While acknowledging that no one is without flaws, Kendall also notes that we have a responsibility to make society a safer, more equitable place for women of all backgrounds. Sometimes, that involves stepping aside so someone more suitable gets the platform and support to do so. Kendall is a highly knowledgeable and inspiring guide, and she effectively builds on the work of black women who have, for ages, been working to better the lives of themselves and their communities. The book is an authentic look, from the perspective of a black feminist, at the ways mainstream feminism must be overhauled, from the personal to the policy level, and a demand that its practitioners do better.
A much-needed addition to feminist discourse.
Copyright: COPYRIGHT 2019 Kirkus Media LLC
http://www.kirkusreviews.com/
Source Citation
Source Citation
MLA 8th Edition APA 6th Edition Chicago 17th Edition
"Kendall, Mikki: HOOD FEMINISM." Kirkus Reviews, 15 Dec. 2019. Gale General OneFile, https://link.gale.com/apps/doc/A608364645/ITOF?u=schlager&sid=ITOF&xid=b1549de1. Accessed 13 Jan. 2020.
Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for Their Rights.
By Mikki Kendall. Illus. by A. D'Amico.
Nov. 2019. 208p. Ten Speed, $19.99 (9780399581793). Gr. 9-12. 741.5.
Framed as futuristic classroom discussion around the question, "Women's rights: Who won them?," this expansive survey showcases a dizzying array of the many women who fought for theirs. Beginning with women's rights in ancient cultures and the eventual codification of patriarchal laws, Kendall soon gets down to business: scores of microprofiles of important women throughout history. D'Amico's strong portraits impart an air of dignity to each figure, and her wider-angle scenes depict diverse groups of women in action. This survey is especially laudable for the impressive diversity of women represented in its pages: Kendall goes to great lengths to include women from a wide range of time periods, locations, backgrounds, and areas of expertise. And, when it comes to some of the more familiar names (I'm looking at you, Susan B. Anthony), she pulls no punches about their many shortcomings. Occasionally the visual metaphors in the artwork are heavy-handed, and, with such a long list of women mentioned, there's not a lot of room for depth. Nevertheless, this is a stunning introduction that will be deeply illuminating to teen and adult readers about the long, vast, and ongoing history of women in power, and a closing reference back to the opening question ("everyone had to work for women's rights") makes it a stirring call to action. -Sarah Hunter
Copyright: COPYRIGHT 2019 American Library Association
http://www.ala.org/aboutala/offices/publishing/booklist/
Source Citation
Source Citation
MLA 8th Edition APA 6th Edition Chicago 17th Edition
Hunter, Sarah. "Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for Their Rights." Booklist, 15 Nov. 2019, p. 38. Gale General OneFile, https://link.gale.com/apps/doc/A608183724/ITOF?u=schlager&sid=ITOF&xid=5eb8a8b4. Accessed 13 Jan. 2020.
Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for Their Rights Mikki Kendall and A. D'Amico. Ten Speed, $ 19.99 trade paper (208p) ISBN 978-0-399-58179-3
The fight for women's rights perseveres through incremental progress, frustrating setbacks, and persistence in this wide-ranging history, with glorious gains celebrated along the way. Organized somewhat clunkily as a field trip through time (beginning in 4500 BCE and continuing to present day) led by an adorable, purple-skinned artificial intelligence, writer Kendall and artist D'Amico explore women's courageous activities and activism, such as those of the shield-maidens of the Viking Age, or Josephine Baker's espionage work on behalf of the French Resistance during WWII. The earliest chapters suffer from confusing panel layouts and stiff illustration, bur this awkwardness gives way to lavish depictions of the fight for suffrage and the Harlem Renaissance. Kendall and D'Amico manage the challenge of inclusivity with aplomb. Lesser-known black activists, disability rights advocates, and Native American leaders are portrayed with the same fulsome treatment as household names such as Susan B. Anthony, all with an accessible tone and striking portraiture. Perhaps the largest omission is that of a bibliography--those looking to explore the sources relied upon are left without citations. Still, what is accomplished in these lively, jewel-toned pages speaks for itself. Agent: Charlie Olsen. Inkwell. (Nov.)
Copyright: COPYRIGHT 2019 PWxyz, LLC
http://www.publishersweekly.com/
Source Citation
Source Citation
MLA 8th Edition APA 6th Edition Chicago 17th Edition
"Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for Their Rights." Publishers Weekly, 4 Nov. 2019, p. 48. Gale General OneFile, https://link.gale.com/apps/doc/A606234577/ITOF?u=schlager&sid=ITOF&xid=7d18534e. Accessed 13 Jan. 2020.
Kendall, Mikki AMAZONS, ABOLITIONISTS, AND ACTIVISTS Ten Speed Press (Young Adult Informational) $19.99 11, 5 ISBN: 978-0-399-58179-3
This graphic narrative traces the history of women's rights around the globe.
When their purple-skinned, white-haired AI instructor introduces the subject of women's rights, the class of six young women breaks out in argument. The instructor responds by transporting them across time and space to show them the history of women's rights. Starting with ancient Sumer, the instructor exposes her class, and consequently, readers, to influential women from diverse backgrounds by highlighting the struggles and achievements of nearly 200 individuals who were leaders in a variety of areas of pursuit, including well-known figures such as Pharaoh Hatshepsut and Harriet Tubman as well as others who deserve to be better known. The content is both historical and up to the minute, with relevance to current issues, covering, among other topics, colonization, suffrage, civil rights, redress movements, the wage gap, sexual harassment, reproductive rights, and LGBTQ rights. Kendall's (contributor: Here We Are, 2017, etc.) informative text and D'Amico's realistic full-color illustrations also include brief biographies of contemporary women, including Naelyn Pike, an environmental and Indigenous rights activist, and Alice Wong, who advocates for disability rights. The unnamed students represent a diverse range of identities and manners of gender expression: Five of the six are people of color, one has a prosthetic limb, and another is hijabi. Source notes and suggestions for further reading would have been valuable additions.
A fabulous introduction--informative, forthright, and highly appealing. (index) (Graphic nonfiction. 12-16)
Copyright: COPYRIGHT 2019 Kirkus Media LLC
http://www.kirkusreviews.com/
Source Citation
Source Citation
MLA 8th Edition APA 6th Edition Chicago 17th Edition
"Kendall, Mikki: AMAZONS, ABOLITIONISTS, AND ACTIVISTS." Kirkus Reviews, 1 Oct. 2019. Gale General OneFile, https://link.gale.com/apps/doc/A601050539/ITOF?u=schlager&sid=ITOF&xid=1749bf04. Accessed 13 Jan. 2020.
REVIEW: Mikki Kendall’s AMAZONS, ABOLITIONISTS, AND ACTIVISTS will empower us
This graphic history should be our next textbook
By Nancy Powell -11/05/2019 2:00 pm0
Amazons, Abolitionists, and Activists: A Graphic History of Women’s Fight for Their Rights
Writer: Mikki Kendall
Artist: Aster D’Amico
Publisher: Ten Speed Press
List Price: $19.99
Amazons, Abolitionists, and Activists is a comprehensive graphic history by historian Mikki Kendall and artist Aster D’Amico of the women who played positive and negative roles in defining women’s rights, from antiquity to the modern age.
As six girls argue about who won the fight for women’s rights, a white-haired, purple-skinned, female AI interrupts their discussion and proceeds to school the girls on the events and issues facing women globally. The AI’s journey begins in 3000 BC Sumer, the origins of modern women’s rights. While women in ancient civilizations did not have access to education and their marital and reproductive rights were controlled by men, they did enjoy a number of freedoms. Women were allowed to own property, conduct business, and in some cases serve as warriors, spies, priestesses, or rulers of powerful kingdoms.
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But the expansion of the Roman Empire’s patriarchal ideals about women helped to curtail many of the freedoms women previously enjoyed. Yet, as Kendall writes, “The history of women’s rights isn’t linear. It’s complicated and different cultures had different norms.”
While societies expected women to live more domesticated lives in the home, in reality women were doing the same work as men. And as women fought to be on equal footing with men in the suffrage movement, even women found cause to turn against their own gender, using racism as justification to withhold equal rights to other women. In Susan B. Anthony’s and Elizabeth Cady Stanton’s view, white women deserved to be equal to white men, but this equality did not extend to colored women.
Kendall and D’Amico give obscure and well-known activists, LGBTQ rights, reproductive rights (and eugenics), and labor rights generous coverage in Amazons, Abolitionists, and Activists. Kendall’s thoughtful additions of some of these little known figures compels readers to pursue their own research on the topic. And D’Amico’s colorful, detailed portraits of the women add to the narrative’s historical context. Despite being a graphic novel, its historical and cultural depth gives the book a more serious and scholarly appeal.
A particular scene in Amazons, Abolitionists, and Activists speaks to the divisiveness of modern politics. One of the girls engages in an argument as to the meaning of the hijab, the head covering worn by some Muslim women. While one student sees it as oppressive to women, the Muslim girl sees it as a choice that has cultural roots.
Indeed, Kendall and D’Amico trace the origins of the hijab to 1100 CE Al Quaaouyine in Fez, Morocco: “Although Islamic law and custom recognized that Muslim women of this time were expected to become wives and mothers, no area of learning was closed to them. The hijab and niqab have their roots here, in both custom and culture.” These points of view are what make the book such an important and valuable teaching tool—its relevance and attention to the issues that touch women globally today.
Amazons, Abolitionists, and Activists is a wonderful and surprisingly informative addition to the canon of women’s rights literature.
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